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News
October 30, 2026
‘This Format Turned Each Presentation Into a Collaborative Effort to Assess the Robustness of the Study
On October 16, 2026, HSE ICEF hosted the Eighth International Conference on Applied Economics. Held fully on-site, the conference brought researchers from HSE University, the New Economic School, Wuhan University, and Shandong University together in Moscow. The programme was organised around three overarching themes— ‘Environment, Resources and Policy,’ ‘Migration, Labour, and Communication,’ and ‘Consumption, Behaviour, and Climate—offering an opportunity to see how similar economic mechanisms operate in China, Pakistan, the United States, and Russia.
October 23, 2026
‘I Always Conduct Research on Topics That Genuinely Matter to Me
Anastasiia Deeva studies the socio-economic consequences of excess weight in Russia. In an interview for the Young Scientists of HSE University project, she spoke about why beauty cannot be measured, her desire to write a novel, ‘Dostoevskian’ burnout, and working at the hotel where The Shining was filmed.
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'Cultural Studies Seeks to Understand What Lies Beneath the Surface of Everyday Things'
Maxim Zhiganov has been exploring different aspects of sound for many years—first in relation to his native Perm and then on a broader, global scale. In this interview for the HSE Young Scientists project, he talks about sound maps, the special issue of the journal Logos, and why it is important to make the familiar less clear and obvious.

 

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Манифесты русского футуризма: политические истоки авангардистской риторики начала 1910-х годов

Зборник Матице српске за славистику. 2023. № 104. С. 259–273.
Дрёмов М. С.

This paper explores a lesser-known aspect of Russian futurism — the political context of its manifestations. By “manifestations”, we refer to a broad range of artistic practices that have sparked public debate, from direct manifestos to individual instances of artistic behavior. Our goal is to demonstrate the discursive link between the rhetoric and artistic gestures of Russian futurists prior to 1917 and left-wing radical politics by examining M. Puchner’s theory regarding the relationship between the structure of an artistic manifesto and the rise of political manifestos in European culture during the late 19th and early 20th centuries. We aim to challenge the traditional view that the political dimension of the Russian avantgarde did not exist before the October Revolution or was insignificant.

Research target: Philology and Linguistics
Language: Russian
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Keywords: идеологиярусский авангардRussian Avant-gardeрусский футуризмrussian futurism ideologyleft artлевое искусствоliterary manifestosлитературные манифесты
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