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Рождение советской женщины. Работница, крестьянка, летчица, "бывшая" и другие в искусстве 1917–1939 годов
M. :
Музей современного искусства "Гараж", 2022.
Plungyan N.
Under the general editorship: К. Лопаткина
The book presents a detailed art historian analysis of a whole range of types of the "new woman" constructed by the Soviet authorities in the 1920s-1930s. The author shows how closely propaganda and agitation tasks were intertwined with social changes and innovation in art, and also suggests looking at the early Soviet gender reform as the basis for the variety of artistic solutions that arose.
Keywords: soviet modernismсоветское искусство 1930-х годовSoviet artисследования советскогогендерная самопрезентацияgendered strategiesЖивопись социалистического реализмаgender revolutionart historywomen and gender historyистория советского искусства, ВХУТЕМАС, русский авангард, советский модернизмМонументальное искусство, советский модернизм, история советского искусства, ВХУТЕМАС, русский авангард, межвоенное искусство, советская живописьSoviet painting of 1930sVKhUTEMASsocialist realism painting
Publication based on the results of:
СПб.: Фонд "Международный Фонд поддержки социогуманитарных исследований и образовательных программ", 2025.
Междисциплинарный коллектив исследователей кино, ежегодно проводящий научную конференцию «Кино как действительность» (прошла 2-3 июля 2025 г. в Социологическом институте РАН - филиале ФНИСЦ РАН), представляет сборник статей о роли экрана в формировании социальной реальности. В центре внимания авторов - киновзгляд как способ производства и закрепления смыслов через режимы видения, репрезентации, монтаж образов, институциональную организацию проката ...
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The article is dedicated to the history of the design and construction of the Metropol Hotel building in Moscow, primarily its facades. This Art Nouveau monument has become a kind of manifesto of this Russian variant of the style, which involved the most famous architects and artists of the time. It is generally accepted at present ...
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The iconographic theme of the Virgin among the Virgins gained popularity in Early Netherlandish painting in the last third of the fifteenth century, appearing in the works of Hans Memling and Hugo van der Goes, as well as in altarpieces by anonymous Bruges masters, such as the Master of the Legend of St Lucy. It ...
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Zenkin S., P.: Classiques Garnier, 2025.
In the 19th and 20th centuries, visual image (painting, sculpture, photography, etc.) can often be a character in literary and film plots, an element of the fictional world. Its narrative forms and functions are explored from a theoretical and comparative perspective. ...
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The article examines multisensory technologies in contemporary VR and XR art. The relevance of the study is determined by the fact that such technologies are increasingly used not only to intensify the viewer’s experience, but also to model the experience of another body. The aim of the article is to show which sensory and technological ...
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Cambridge Scholars Publishing, 2026.
This collection of papers explores the epic traditions of the ancient Near East and Eastern Mediterranean, bringing together insights from remarkable scholars. Topics range from the cuneiform epic of Erra to Homeric epics and Greco-Roman literature, shedding light on the role of epic texts in shaping collective identities and understanding ancient societies. The validity of ...
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Malich K., СПб.: Мастерс, 2026.
Ludwig Mies van der Rohe: The Limits of Control / K. Malich. — St. Petersburg: Masters, 2025. — 44 p.: ill. — (one cup book). Series: one cup book. Study guide. 16+. Recommended for students of design and art history, as well as the general public. The three masters featured in this series shaped the ...
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Malich K., СПб.: Мастерс, 2025.
Le Corbusier: Light, Concrete, and Asceticism / K. A. Malich. — St. Petersburg: Masters, 2025. The three masters featured in this series shaped the history of 20th-century architecture. Each possessed a distinct creative logic, and each influenced our understanding of what modernism is. The architect Charles-Édouard Jeanneret-Gris—who adopted the pseudonym Le Corbusier in 1920—appears as ...
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Malich K., СПб.: Мастерс, 2026.
The three masters featured in this series shaped the history of 20th-century architecture. Each possessed a distinctive logic of creative thought, and each influenced our understanding of what modernism is.
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Суворова А. А., Kazantseva E., Podlednov D., СПб.: Алетейя, 2026.
The authors of the monograph examine three aspects of the phenomenon of marginality in artistic culture from the nineteenth to the early twenty-first century. The first part of the volume focuses on the processes and actors of the “borderlands” in the context of art and culture of the late nineteenth and early twentieth centuries. The ...
Added: September 3, 2026
Boston: Academic Studies Press, 2026.
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Golovlev A., Научный вестник Московской консерватории 2026 Vol. 17 No. 2 P. 352–357
Vincenzina C. Ottomano’s Quando l’opera russa diventò europea is an ambitious and carefully argued study of the reception of Russian opera in Italy and France from the 1870s to the first decade of the twentieth century. The book examines how Russian operatic works were reframed by critics, impresarios, patrons, and institutions and transformed into cultural ...
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Бейн П. В., Дубровская Д. В., Zinchenko S. et al., Институт востоковедения РАН, 2026.
Contrary to Antoine de Saint-Exupéry's assertion that "the most beautiful thing in the stars, houses, and deserts is what the eyes cannot see," the authors of this monograph dispassionately test the harmony of beauty in the East through the algebra
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Borzenko V., Театралис, 2025.
Творчество Бориса Васильевича Щукина – одна из интереснейших страниц в истории сценического искусства, а для Театра им. Вахтангова и вовсе целая веха, прославившая коллектив в 1920-е – 1930-е годы. Его судьба прослеживается подробно с самых первых лет интереса к театру, участия в любительских кружках подмосковной Каширы, поступления в Вахтанговскую студию и до последних лет жизни. ...
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Irina A. Afanaseva, Pavel S. Sorokin, October 2026 No. 196 P. 69–79
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Жуматина М.-С. Д., Вопросы философии 2026 № 7 С. 140–154
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Абейсекера С. Х., Обсерватория культуры 2026 Т. 23 № 2 С. 176–188
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Abbasova G., Человек и культура 2022 № 6 С. 32–46
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Забило Е. В., Артикульт 2026 Т. 61 № 1 С. 45–60
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Podlednov D., Казанцева Е. Д., Пермь: Федеральное государственное бюджетное образовательное учреждение высшего профессионального образования "Пермский государственный гуманитарно-педагогический университет", 2023.
The art of repressed artists is a forced and unofficial trend in Soviet art that reflects various aspects of the cultural and historical context of the USSR in the 1930s and 1980s. The works of repressed artists created during their imprisonment in the Gulag not only reflect the emotional state of individuals in a state ...
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Lavrova S., Искусствознание 2025 № 1 С. 250–281
In the latter half of the 1920s, art exhibitions emerged as a critical instrument of Soviet cultural diplomacy, particularly in the context of the nascent and still unestablished diplomatic relations with the United States. The 1929 "Exhibition of Contemporary Art of Soviet Russia" marked the first major effort to present Soviet art to the American ...
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