Голливудский вариант воспитательной работы: "Добро пожаловать в Зомбиленд" (Рубен Флейшер, 2009)
In the public discourse, cinematic views on the analysis of movies traditionally prevail. The author suggests another approach: in the course of the experiment aimed to reveal the audience's perception of the film „Welcome to Zombieland the author discovers an atypical interpretation of this horror film as an instrument of educating the young generation, those features of the ideological message of the film that can transform any genre into, it would seem, its complete opposite - a collection of contemporary society norms and behavior patterns. The main conclusion of the article is that the perception of a film is a complex social action which always goes beyond any cinematic interpretations.
The article discusses the problem of the experimental study of trust in the business partnerships. A brief review of theoretical concepts and empirical research in this area are given. In anticipating stages of the study there were identified two basic criteria for the evaluation of the business partnerships development – «Confidence» and «Derived mutual benefit», which formed the basis of the pilot scheme, implemented on the principle of party dummy. The main conditions varied during the experimental procedure was a combination of these two criteria: the condition 1 – high confidence, low intermediate results of the interaction, condition 2 – low trust, the average intermediate result. The dependent variable was the degree of optimization elasticity of the joint achievement of the forecast results, expressed the value of the «individual rate» naive participant business interactions. The data obtained allowes to conclude that among the two factors that influence the success of the partnership, such as trust and the intermediate result of joint activities (receiving benefits), there is much more potent factor in the actual result of the partnership. However, as has been established, even in the absence of a direct mutual benefit arising can trust, however, maintain partnerships at a time.
Data mining aims at finding interesting patterns from datasets, where “interesting” means reflecting intrinsic dependencies in the domain of interest rather than just in the dataset. Concept stability is a popular relevancy measure in FCA. Experimental results of this paper show that high stability of a concept for a context derived from the general population suggests that concepts with the same intent in other samples drawn from the population have also high stability. A new estimate of stability is introduced and studied. It is experimentally shown that the introduced estimate gives a better approximation than the Monte Carlo approach introduced earlier.
This collection of essays consideres the relationship between ideology and cinema in a variety of national contexts.
This article aims to analyze the objects as sign in the aesthetic context of the cinema, more specifically in the German film director Wim Wenders´ work. In the movies the objects translate the character´s interior, in a game which rules are based on the ethical-aesthetical commitment with the conceptual of the narrative. Therefore, we developed a specific methodology to make such analyses in the sense of Peircean semiotics and intermedial studies.
The article describes the methods of holding masterclasses in mathematical and computer design of various architectural 3D models of a house, street, town. Spatial visualization of these models of modern architecture develops students’ spatial awareness and the models can become prototypes of virtual worlds for sci- fi cinema. The method’s main conception is an active synthesis of Humanities and Science in creating student projects.
Several approaches to the concept of fatherhood present in Western sociological tradition are analyzed and compared: biological determinism, social constructivism and biosocial theory. The problematics of fatherhood and men’s parental practices is marginalized in modern Russian social research devoted to family and this fact makes the traditional inequality in family relations, when the father’s role is considered secondary compared to that of mother, even stronger. However, in Western critical men’s studies several stages can be outlined: the development of “sex roles” paradigm (biological determinism), the emergence of the hegemonic masculinity concept, inter-disciplinary stage (biosocial theory). According to the approach of biological determinism, the role of a father is that of the patriarch, he continues the family line and serves as a model for his ascendants. Social constructivism looks into man’s functions in the family from the point of view of masculine pressure and establishing hegemony over a woman and children. Biosocial theory aims to unite the biological determinacy of fatherhood with social, cultural and personal context. It is shown that these approaches are directly connected with the level of the society development, marriage and family perceptions, the level of egality of gender order.
This article is talking about state management and cultural policy, their nature and content in term of the new tendency - development of postindustrial society. It mentioned here, that at the moment cultural policy is the base of regional political activity and that regions can get strong competitive advantage if they are able to implement cultural policy successfully. All these trends can produce elements of new economic development.