Современные медиаизмерения на телевидении: борьба компаний за власть
Edited by: А. Андреев, А. Андриянов, Е. Антипов М.: МАКС Пресс, 2015.
Батыршин Р. И. Меди@льманах. 2011. № 1. С. 14-21.
Added: Sep 13, 2012
Papushina I. O. Humanities. HUM. Basic Research Programme, 2015. No. WP BRP 107/HUM/2015 .
This paper considers fashion as a factor of theatre attendance. The research setting is the industrial city Perm with approximately one million citizens. Perm opera and ballet theatre found in 1870 is “Russia’s third ballet Mecca, after Moscow and St. Petersburg”. Series of in-depth interviews, content-analysis and analysis of discourse provide “corroborative evidence”. The research is based on fashion value framework, which regards fashion guided behaviour as a function of shared values called fashion values. The literature review generates insights about the role of fashion in high culture consumption and arguments pro applicability of the fashion values framework for theatre attendance. The data comes from 23 in-depth interviews with visitors and non-visitors of Perm opera and ballet theatre. The research develops the set of indicators of fashion awareness in context of theatre attendance. The results shows that institutionalized cultural capital and occupation in cultural industries matter for fashion awareness of a particularly participant. So far, it is supposed education and occupation play more important role as an explanation of fashion awareness than class does. The ways for future investigations are discussed
Added: Oct 19, 2015
Новикова А. А. М.: Эдиториал УРСС, 2004.
Added: Nov 8, 2011
Васильев С. А. Мир России: Социология, этнология. 1997. Т. 6. № 1. С. 3-28.
Added: Oct 8, 2012
Khitrov A. Humanities. HUM. Basic Research Programme, 2014. No. 41.
Studies of representations of the police are important because they affect what people think about the police as an organization, what people expect from day-to-day interactions with police officers, and how police officers themselves work in the media-saturated context of contemporary Western societies. This study is based on an approach, which does not strictly separate studies of the police as an organization from studies of how the police are represented. In this paper, I formulate a methodological framework for analysing representations of societal and state institutions in TV series, and I use this framework to then answer the question of how the police are represented in contemporary police TV series in Russia. This paper based on a single-case semiotic study of a popular Russian TV series called Glukhar’. I consider the show’s social and cultural contexts as well as its symbolic structures, such as visual and audial elements and its narrative. I develop a narrative model of the show, argue that the most prominent motif of the show is justification of the police’s illegal actions, and finally build a typology of these justifications. I propose a detailed analysis of two types of justifications and ultimately conclude that the TV show represents the police estranged from the state but not from society. Finally, I argue that my methodological framework can be applied to other TV series in studies, which address representations of societal and state institutions.
Added: Apr 13, 2014
Новикова А. А. В кн.: Теория художественной культуры. Выпуск 14. Вып. 14. М.: Государственный институт искусствознания, 2012. С. 340-358.
Added: Oct 8, 2012
Вып. 1. М.: НИИР, 2010.
Added: Apr 13, 2012
Edited by: Г. А. Шевелев М.: Аспект Пресс, 2012.
Added: Jan 3, 2013
December 19, 2016, saw three tragedies simultaneously, that could not go unnoticed by the Russian media: dozens of people died as a result of a surrogate alcohol poisoning in Irkutsk, a Russian ambassador was killed in Turkey, and a terrorist attack took place at the Christmas market in Berlin. In this article using the network agenda theory we analyze how these tragedies were covered by various types of mass media: on 11 federal TV channels, in 1,974 print newspapers, in 34,905 online newspapers and 2,574 blogs. We believe that direct and indirect control of the agenda by the state can be exercised by creating a network of events that will canalize correctly discussions about tragedies. We showed that ties between the tragedy and a network of other acute issues are more important than objective circumstances, such as the number of victims or a geography of the event. The context in which the events were looked at led to greater attention to the killing of the ambassador and less attention to surrogate alcohol poisoning. The Russian mass media paid significantly less attention to the Berlin terror attack, it yet was used as a supplement to the demonstration of importance of the fight against terrorism.
Added: Aug 11, 2017
Тарасенко А. С. В кн.: Электронные СМИ в эпоху Интернета. Материалы Всероссийской научно-практической конференции. СПб.: Факультет журналистики СПбГУ, 2010. С. 39-41.
Added: Nov 22, 2012
Шестопалова Е. В. Литера. Вестник факультета филологии и журналистики Иркутского государственного университета. 2005. № 2. С. 138-141.
Added: Mar 12, 2013