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October 7, 2026
‘Our Team Consists of True Leaders in Their Respective Academic Disciplines
The HSE International Centre of Decision Choice and Analysis studies a wide range of methods for analysing decision-making and possible scenarios for the development of natural, socio-economic, and political phenomena using various mathematical models. The application of advanced mathematical methods to forecasting helps to prevent negative outcomes and avoid erroneous decisions. The HSE News Service spoke to the centre’s director, Prof. Fuad Aleskerov, about its work.
October 6, 2026
International N5 Symposium ‘Neural Networks and Nonlinearity in Nizhny Novgorod Brings Together Scientists from Russia and Serbia
The International N5 Symposium ‘Neural Networks and Nonlinearity in Nizhny Novgorod’ was held at the Nizhny Novgorod House of Scientists from September 23 to 26. The event was organised by HSE University–Nizhny Novgorod and the Nizhny Novgorod House of Scientists, with the participation of Sberbank and the Institute of Physics Belgrade. The symposium was held for the second time: the first conference took place in 2025 and attracted considerable interest from the academic community.
October 5, 2026
‘The Climate Transition Is Not Necessarily a Limitation for Business
Linara Khadimullina works in the field of low-carbon development. In an interview with the Young Scientists of HSE project, she spoke about why nature is not just a beautiful backdrop, her research on the role of sustainable corporate governance in reducing greenhouse gas emissions, and growing plants as a source of inspiration.

 

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Мимесис чтения в киносценарии: "Великий утешитель" Л.В. Кулешова и А.Л. Курса

Новое литературное обозрение. 2023. № 179. С. 161–172.
Огудов С. А.

This article is dedicated to the study of instances of readers in The Great Consoler, the screenplay by Lev Kuleshov and Aleksandr Kurs. Special attention is given to the figure of the fictional reader, whose activity is defined as a mimesis of reading in which reflection is not separated from character’s bodily reactions. Also discussed are forms of mimesis such as denial of reading, naïve reading and interpretation. In the transition from the literary script to the director’s version, the fictional audience becomes more independent from the illusionist intention of the narrator and starts to more actively react to the narration.

Research target: Philology and Linguistics
Language: Russian
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Keywords: нарративсоветское киномимесисmimesisscreenplayкиносценарийSoviet Cinema narrativefictional audienceфикциональная аудитория
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