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Regular version of the site
Of all publications in the section: 238
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Article
Дамье В. В. Новое литературное обозрение. 2007. № 84. С. 88-119.
Added: Jul 4, 2011
Article
Волынская А. Г. Новое литературное обозрение. 2015.
Added: Oct 22, 2015
Article
Компациарис П. Новое литературное обозрение. 2017. № 148. С. 138-143.

It sounds like this sounds like it’s possible to understand it. It is a bit of a real art response to what you’ve played. Following from that, it’s possible to mobilize it.

Added: Mar 15, 2018
Article
Велижев М. Б., Атнашев Т. М. Новое литературное обозрение. 2015. Т. 134. № 4. С. 21-44.

In the article "Context is king": John Pocock, historian of political languages" Mikhail Velizhev and Timur Atnashev interpret the basic premises of the Cambridge methodology as applied to the history of political philosophy, and discuss the interdisciplinary approach of one of its founders, John Pocock, introducing his works to the Russian intellectual context for the first time. The article covers Pocock's biography as a scholar and his methodological program, the reception of the Cambridge School in Russia and, in particular, the limits to applying this methodology in analyzing Russian political languages.  

Added: Feb 18, 2017
Article
Кашлявик К. Ю. Новое литературное обозрение. 2017. № 146. С. 168-176.

This article examines the historical creation of the Blaise Pascal's "Provincial Letters, and their use of comic devices. Judging by their content, characters, and general pathos, the "Provincial Letters"are closest of all to the tradition of "Menippean satire". The two are united by the presence of the Jesuits as target, the aim to influence the doubting reader, the devices of burlesque, pun, comic scenarios and speech, and the combinations of genres and languages. In the architectonics of the "Provincial Letters", a special position is occupied by the 11th letter, the primary theme of which is the justification of the moking and ironic relationship toward delusion. Pascal points at the important position that irony and laughter occupy in the tradition of the Church. In addition, "wicked laughter" - the antidote for moral depravity - becomes the exception in the Christian " laughing world" of Pascal, which "banishes" wicked irony, exchanging it for the smile of the wiseman in the "Thoughts". 

Added: Sep 27, 2017
Article
Брагинская Н. В., Пенская Д. С. Новое литературное обозрение. 2016. Т. 139. С. 385-403.

Analytic survey of the papers presented at the conference concentrated on the scholarly legacy of  the prominent Russian scholar a correspondent of Boris Pastermak and an author of the Memoirs encompassing first half of the XXth century. The place of her ideas in nowadays scholarship and new researches inspired by her theoretical works.

Added: Oct 13, 2017
Article
Зарецкий Ю. П. Новое литературное обозрение. 2019. Т. 157. № 3. С. 71-74.
Added: May 2, 2019
Article
Каспэ И. М. Новое литературное обозрение. 2009. Т. -. № 96. С. 276-280.
Added: Jan 19, 2010
Article
Новое литературное обозрение. 2007. № 83. С. 538-560.
Added: Dec 24, 2008
Article
Левченко Я. С. Новое литературное обозрение. 2017. Т. 147. № 5. С. 46-55.

Boris Eikhenbaum wrote the novel The Route to Immortality between 1932—1933, both marking and concluding the crisis of his Formalist biography, which had begun in the latter half of the 1920s. Were it not for the complete and utter failure of this book, Eikhenbaum’s rebranding of himself as a post-Formalist might have sent him down other paths besides those of editorial work and further absorption in his “Tolstoy project”. Tynianov managed to become an author of popular historical fiction and a screenwriter; Eikhenbaum did not. Nevertheless, an unsuccessful attempt is still an attempt, although most of what is written about Eikhenbaum avoids discussing this novel or focuses on its mechanically philological nature. Levchenko suggests that the book is also interesting in its reflection of Eikhenbaum’s unrealized ambitions as a screenwriter. His peculiar ideas about film are curious to no small degree because of their dilettantism, and can be traced back to his 1920s work in film theory; in the novel, they change in accordance with his ideas about how a screenplay should look, or visualizations of literature.

Added: Oct 30, 2018
Article
Дмитриев А. Н. Новое литературное обозрение. 2017. Т. 147. № 5. С. 214-227.

This article presents the ideological biography of the Kiev-based scientist, writer and essayist Viktor Petrov (1894—1969) and attempts a reconstruction of the continuity and interconnections of his scientific and artistic views in the 1920s and 1940s. At the center of his concern is the problem of history as a series of epochs that succeed one another outside of any progress, as well as the problems around the reconstruction of a primeval ideology of lineage (with reference to Potebnya and Dmitri Chizhevsky). Petrov’s work is particularly important and attractive in its combination of the analytic, artistic and historiosophical approaches, his biographical stylization and love for masks, as well as his strategies of intellectual survival in a post-avant-garde ideological situa­tion.

Added: May 24, 2019
Article
Долгорукова Н. М. Новое литературное обозрение. 2018. № 150. С. 100-107.
Added: Apr 12, 2018
Article
Бойцов М. А. Новое литературное обозрение. 2017. Т. 145. № 3. С. 206-210.
Added: Jul 13, 2017
Article
Сафронов П. А. Новое литературное обозрение. 2014. № 2(126). С. 87-90.

What if being human is separated from humanity? How some of the most common ideas of Western democracy (equality, political power, humanism) are ex-posed and staged by non-humans? These are my questions for recent Hollywood monies like Transformers or X-man.

Added: Jul 3, 2014
Article
Павловец М. Г. Новое литературное обозрение. 2014. Т. 130. № 6. С. 289-294.

This article investigates the semiotic and general-teoretical aspects of Nikonova's poetic system in the context of avant-garde and neo- (post-)avanf-garde practices.

Added: Feb 16, 2015