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Кризис культуры в "Сожженном романе" Я. Э. Голосовкера
The article considers the artistic work by Ya.E. Golosovker «The Burnt Novel», first published
in 1991, as an implementation of his original project of philosophy. Author, relying
on the treatise «Imaginative Absolute», shows how the key philosophical themes were reflected
in «The Burnt Novel»: idea of cognition by imagination, opposition of imaginatio
and ratio, connection of culture and «spirit», role of «meaning images». «The Burnt novel»,
the events of which take place in the second half of the 20s of the XX century, in this interpretation
appears as Golosovker’s diagnosis of crisis to culture. Special attention is paid to
the embeddedness of «Burnt Novel» in the intellectual context. In particular, to the aesthetics
of the «silent» Christ unites the novels of Dostoevsky, Bulgakov and Golosovker.
Key words: imagination, culture, crisis, Grand Inquisitor, Christ, Blok, Lenin