«Тематические книжечки» Константина K. Кузьминского как поэтические книги неоавангарда

Зборник Матице српске за славистику. 2022. Т. 2022. № 102. С. 225–237.

Pavlovets M.

Konstantin K. Kuzminsky is not only the compiler of a whole number of poetic anthologies of underground and historic avant-garde poetry of his time, but also a very significant poet whose literary work can be seen through the lens of late postwar avant-garde, which is neo-avant-garde. Just like a number of other neo-avant-garde authors, in most of his books he chose the “formal” method of organizing textual complexes, which either required the usage of a wide variety of artistic methods and forms within a single book, or required the book to be constructed on some of these methods and artforms. The latter type of books includes Kuzminsky’s Neshtyak (1972), based on psychedelic destruction of the artistic form, and also his Yel ’: the Second Book of Neshtyaki which is an example of poetic minimalism.

Keywords: неподцензурная поэзия, uncensored poetry, неоавангардизм, the neo-avant-garde, poetry of minimalism, Konstantin Kuzminsky, Константин Кузьминский, psychedelic poetry, психоделическая поэзия, поэзия минимализма