«Поэзия — это я»: перформансы Бонифация / Германа Лукомникова

Новое литературное обозрение. 2024. № 3(187). С. 204–217.

Pavlovets M.

The main corpus of German Lukomnikov’s (Bonifaсius’) works may well be attributed to the field of verbal poetry proper, however, in most works, when they are recorded in writing, the visual form is actualized, and when read aloud, the acoustic form, so that the vectors of visualization and audialization take a number of texts beyond the boundaries of “poetry proper” into the field of performative poetry. The poet directly defines some of his texts as “performance poems”, while emphasizing their poetic, rather than purely actio nist basis. At the same time, his poetic perfor -
man ces are a reassembly of traditional ideas about “authorship”, providing the recipient with a meeting
with the real author in all his hypostases — both in creative projections and in literal, including physical manifestations.

Keywords: концептуализм, conceptualism, actionism, акционизм, визуальная поэзия, neoavantgarde, visual poetry, перформативная поэзия, artistic image, poetry of minimalism, минимализм в поэзии, acoustic poetry, акустическая поэзия, поэтический неоавангард, творческий имидж