Проницаемые границы: слово, мысль, пространство и время в романе Генри Грина «Вечеринка отправляется» (1939)

Вестник Пермского университета. Российская и зарубежная филология. 2013. № 4 (24). С. 177–184.

Avramenko I. A.

“Party Going” by Henry Green (who is virtually unexplored in Russia) is seen as the continuation, in the context of the 1930s social condition, of the experiment in the narrative form commenced by the first generation Modernists. Green questions the borders between direct and indirect speech, speech and thought which results in complex interpersonal relations within the novel. Typically modernist montage of space and time planes becomes another “meaning-generating” technique. All this establishes a polyvalent universe open to the reader’s epistemological doubt and completion.

The article aims to elaborate the understading of the evolution of Modernism whose study in Russia was traditionally limited to the 1910-20s. The article also adds to the implementation and specification of narratological methods and tools which have become extremely popular in contemporary humanitarian studies.

Keywords: диалог, изоморфизм, модернизм, Генри Грин, английский роман, эпистемологическое сомнение