ИССЛЕДОВАНИЯ ПО РУССКОЙ ЛИТЕРАТУРЕ, ФОЛЬКЛОРУ И МИФОЛОГИИ
The dream as a cultural figuration in Richard Beerhofmann „The death Georg“ permits us to open some row of constants of the modern age in Austria. These constants are Narzissismus, aesthetic perception of the world which stylises of all living to the art object, and disregarding of the social reality. At the example the dream in the work the artistic problems of the modern age are interpreted.
The article deals with the causes of modern dualistic view of women in media and mass communication. In the article author analyzes the reasons for the transformation of the female image from the time of the Ancient World to the present day. The author addresses issues of social and cultural influence on the distorted view of the function of women in society. A wide range of test materials (folklore, medieval works, materials of media, etc.) makes it possible to draw conclusions on the continuing bifurcation in Summaries - 274 - the perception of the female image and constant presence of the attributes and patterns of social behavior that differ sharply from each other.
The book contains the contributions of the 18th annual conference Franz Werfel-StipendiatInnen.
The article features translation problems associated with Russian fairy tale renderings into English and revealed during their comparative analysis. The tales seem to represent fairly complex verbal signs and cultural phenomena whose status borders on cultural symbolism and/or semiotic artifacts. Translator perception patterns driven by the fairy tale message search for its further code-switching appear to be strongly dependent on referencing. Text surface structure is referenced to the wonder-land world of fairy tales as a certain eventful scenario. A cross-language analysis of Russian-English subtexts taken in parallels allows for tracing some text-internal translation tactics.
The article discusses the scholarship, methods, and theoretical approaches that have been involved in the interdisciplinary field of Science and Technology Studies from the early 1980s through the early 2000s. It traces the changes in methodological orientations and examines the specificities of ethnographic fieldwork in the STS area, as well as suggests the criteria for evaluating the outcome of research and offers ways of its advancement.
The representation of the First World War in Richard Schaukals „brass sonnets“ served the purposes of the political propaganda. The form of the sonnet, the three-part composition and the use of bombastic metaphors were subordinated to this purpose. Besides, the politicisation of the aesthetics also entails the politicisation of the art what has found her succinct picture in the „brass sonnets“.
The book contains the contributions of the 19th annual conference Franz Werfel-StipendiatInnen.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.