Дифференцированное маркирование объекта в ниджском диалекте удинского языка
In the paper I consider the causative constructions in Russian. I examine the use of tense and aspect in constructions with the verbs zastavit’ / zastavljat’ ‘make’ and pozvolit’ / pozvoljat’ ‘let, allow’. I also include the verb delat’ / sdelat ‘make’ in my analysis, though this verb has special syntactic and semantic characteristics.
The striking feature of the causative constructions with eventive subjects is that the tensed forms and temporal adverbs in these constructions do not obligatorily refer to the causing situation. The tensed forms and adverbials sometimes refer only to the caused situation.
I assume that it is the nature of events vs. participants that is responsible for these distinctions. Each dynamic event is associated with some result. I have shown that in some cases what the tense of the causative verb and temporal adverbials refer to is the result of the causing event, and not the causing event in the narrow sense.
In my article, I address the factors which favor using a verb as labile (both transitive and intransitive, with no formal change required).
Haspelmath (1993) proposes that the key feature which conditions a way of marking (in)transitivity of verbs in the transitive / intransitive verb pair is the spontaneity parameter.
However, the statistical analysis of Haspelmath’s data shows that for labile / ambitransitive verb the main parameter is the lexical semantic class of the verb, not the degree of spontaneity. This lets us discover a more general principle: phenomena which are not purely grammatical, but rather lexico-grammatical (as lability) depend on lexical features, not on generalized grammatical or semantic parameters.
The paper revisits the topic elaborated in the earlier Translation Studies serial issue and suggests a diachronic approach towards reference in the interlanguage translation from within the psycholinguistics and cognitive linguistics perspectives. Reference viewed as the universal steering mechanism behind the translation process per se is believed to enable the translator's mental operations. This fact was implicitly evidenced in the respective notes by antique texts' translators who extensively reflected on their rendering of those texts into modern languages, including Russian. Source-text analysis against target language texts favored the translators' viewpoint on intricate and referentially opaque text-reality relations whereby such reality overlaps irreality comprising coexisting human beings with imaginary characters, mythical heroes, as well as real-life and fabled objects and events reflected in the source-language texts generated in high antiquity.
Book of abstracts
The paper looks into the contemporary state of the problem of decision-making and preference of some alternatives over others, discussing intransitivity of relations of superiority: one object is superior to another in a certain aspect, while the second is superior to the third and the third is superior to the first (A>B, B>C, C>A). The authors analyze two broad groups of theories and empirical studies reflecting opposite views on the nature of the relations and rationality of intransitivity of relations of superiority. The authors argue that understanding of intransitivity of superiority relations is no less important line of cognitive development than understanding of transitivity; they should be studied as complementary subjects. Thus it is necessary to study individual differences in cognitive sets with regard to transitivity/intransitivity of superiority, as well as individual characteristics of solving problems of that kind.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.