Арабская экономическая терминология: проблемы и тенденции
Variation and variety, basic linguistic notions elaborated, among many others, in Prof. Schweitzer’s works, are addressed in the article in the context of an increase in variation in modern Russian under the influence of global English. The increase in contact-induced variation is investigated in connection with the following: 1) an increase in borrowings and semantic calques from English into Russian, 2) an increase in Russian-English code-switching and code-mixing, and 3) major changes in Russian-English interaction contributing to the change of status of English in Russia and the initiation of a specific regional variety of English, Russia(n) English.
The article deals with the sources of replenishing youth slang. There come to light general tendencies of extension of the body of youth slang vocabulary in German and Russian which include metaphorization, word-formation and borrowing. The Research is carried out on the material of the lexicographic sources of the XIX - XXI centuries.
The article offers a detailed analysis of Louis-Ferdinand Celine’s individual style on the material of his novel Voyage au bout de la nuit. In particular it is focused on the author’s characteristical choice of the invective vocabulary, aimed at creation of a peculiar esthetic space of the literary work under study.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.