"К истории журнала "Интернациональная литература" и его испанского издания"
The paper offers information on the history of the Soviet literary review 'International Literature', from its origins and the first stage of its edition, and the history of the Spanish edition called 'La Literatura Internacional' which first issue was published in 1942.
The article deals with the first English version of Derzhavin's ode «God», belonging to John Bowring. The comparative analysis of the original and translation using the close-reading technique helps to single out the transformations of Derzhavin's text. The author also makes an attempt to explain the character of each transformation and to show the mechanism of intercultural reception of works of art.
The experience of the „translation of the culture“ was based with Rilke on the one hand on western book springs, on the other hand, on his short-term travelling to Russia. The sharp Rilkes translations from Russian is "Das Igorlied" and the writer preserved the structural elements from his poetic language. Rilkes „translation of the culture“ has promoted not only the horizon enlargement of the German-speaking audience, but also has enriched his poetic creating and his cultural experience.
This bibliography is the first complete bibliography in Russian not only of the translations of works of José Martí, but also of critical articles and essays published in anthologies as well as in the press from 1953 till 2013. This material is necessary, first of all,for those who study Marti's art, as well as a wide range of researchers (philosophers, journalists, linguists, sociologists)
The paper examines how a writer turns to rewriter who repairs his/her and other works according to changes political conditions. In patrticular, the Soviet writer is a special kind of employee, a machine of an endless improvement - not of style or creative manner but of the ability to guess all whims of authorities and to repent of the mistakes (first of all, potential, imaginary mistakes). The material of Viktor Shklovsky's production may brightly demonstrate how does repair of a text replace an innovative mechanism of its creation in absentia.
The book contains the contributions of the 17th annual conference Franz Werfel-StipendiatInnen.
Academic commentary on three novels by Yuri Koval