Границы между вымыслом и реальностью: документальный модернизм в романе Генри Грина "Пойманные"
The theoretical framework of the article is “documentary modernism” which as a literary phenomenon appeared in the English prose of the 1930s and as a notion is being conceptualized in contemporary criticism. This concept serves as a pivotal point of investigation of a novel by Henry Green, a late modernist who remains virtually unknown for the Russian scholars of literature. Written in the context of increasing interest in journalism, “Caught” is analyzed in the process of its narrative transgression of memoir and autobiography forms as well as the loss of determinacy between its narrative subjects. This may be an evidence of the postmodernist trend gradually emerging in the English novel. «Caught»’s transgression of documentalism is investigated from the outside (Green’s own autobiography, influence of Proust’s memoirs) as well as from the inside of fictitious reality (relations between the author, the narrator, the character and the reader).
This paper discusses an important component of the radio frequency identification (RFID) system, namely, the RFID-tag and the bending effect on its electrodynamic parameters. The RFID tag was modeled and the following parameters were calculated: Scattering Coefficients (parameter S11), Voltage Standing Wave Ratio (VSWR), vertical and horizontal radiation patterns and total. The results of the work will allow optimizing the design of the RFID-tag in such a way as to achieve optimal quantitative indicators of electrodynamic parameters.
The book presents a collection of papers devoted to the research of the Alexander Romance, the late Classical text describing in a fantastic manner life and exploits of Alexander the Great.
E.P.Gavrilov, doctor of sciences, professor of the chair of the civil law of the state university «Higher school of economy» analyzes the use of the copyrighted works in the trademarks.
Mikhail Kuzmin and his reader of the Soviet era.
In the Novel Gravity’s Rainbow, which formally depicts the end of The Second World War and the beginning of the postwar period, the characters being American culture representatives get into a European city medium. A popular phrase “Toto, I have a feeling we're not in Kansas any more…” that was an epigraph to Part III of the book proves that in the novel there is a theme of an alien and at the same time so familiar to the American culture space
The article deals with the problem of the author as the subject of consciousness expressed through the text in its entirety. Special emphasis is laid on modality revealed in the author’s evaluation of events, characters and the world in general.
Was ist das für eine Lust an der Lektüre, um derentwillen der Literaturliebhaber immer wieder zur Literatur greift? Worin bestünde für den Leser die Attraktivität der Literatur, wenn nicht eben darin, dass sie alle seine menschlichen Vermögen in Anspruch nimmt die sinnlichen genauso wie die intellektuellen, die ethischen und die ästhetischen? Ausgerechnet die klassische Wirkungsästhetik, die doch eigentlich den Leser aus seinem Schattendasein heraus- und in die Literaturtheorie hatte einführen wollen, handelt von dem Wirkungspotential des literarischen Textes, und nicht davon, wie der Leser mit allen seinen Vermögen auf dieses Wirkungspotential anspricht. In Absehung von und zugleich in Berücksichtigung der Wirkungsästhetik konkretisiert Iris Bäcker die Rede vom Leser in kulturhistorischer und literaturdidaktischer Perspektive.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.