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  • В оке Сезанна, в духе Мерло-Понти: диалектика видимого и видящего в пейзажах, натюрмортах и портретах
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News
September 25, 2026
AI Users Earn Up to 41.8% More Than Non-Users
Research conducted by economists at HSE University has revealed a significant correlation between the regular use of GenAI in the workplace and higher pay among Russian employees. The study found that individuals who frequently use GenAI in their professional activities earn notably more than those who reject these new tools or resort to them occasionally. The salary premium for highly qualified specialists reaches 41.8%. The article was published in the Voprosy Ekonomiki journal.
September 24, 2026
‘Feedback and Constructive Criticism Are Essential in Our Profession
Vincent Fardeau, Associate Professor at HSE ICEF, has reached a major career milestone: he recently published his paper ‘Asymmetric Thin Markets’ in the Journal of Financial Economics, successfully passed his major academic review, and received tenure. In this interview, Vincent discusses the story behind the paper, explains the concept of asymmetric thin markets, and shares his advice for young scholars aiming to publish in top-tier journals.
September 22, 2026
Personal Interest in Doctoral Thesis Topic Most Important for Confidence in Successful Defence
A researcher at HSE University analysed data on 1,539 doctoral students from 161 Russian universities to identify which features of a thesis topic are associated with academic success and engagement. The most important factor was found to be personal interest in the research topic, which was associated with almost all key aspects of doctoral programme experience—from engaging with the academic supervisor to research activity and confidence about successfully defending the thesis. The findings have been published in Higher Education.

 

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В оке Сезанна, в духе Мерло-Понти: диалектика видимого и видящего в пейзажах, натюрмортах и портретах

Философия. Журнал Высшей школы экономики. 2025. Т. 9. № 3. С. 303–331.
Жуматина М.-С. Д.

The article analyzes the painting of Paul Cézanne through the fundamental relationship seeing-seen (voyant-visible), set out in the phenomenological teaching of Maurice Merleau-Ponty and conceptualized by us as the “dialectic of the seeing-seen”. For Merleau-Ponty, Cézanne had a special status as a “painter of painting”: the phenomenology of visible of Merleau-Ponty and his interpretation of Cézanne’s works are built on each other. However, the philosopher himself and researchers did not systematically superimpose the dialectic of seeing-seen on Cézanne, which is why our article is the original extension of the work of Merleau-Ponty himself. The proposed approach is interdisciplinary, since in addition to the apparatus of the phenomenology of visible itself, it also uses art history formal analysis. We consider the origins of the special status of Cézanne’s painting for Merleau-Ponty through the artist’s works themselves and offer the extension of Merleau-Ponty’s interpretation of the philosophical content of his painting. We apply the dialectic of seeing-seen both to painting as an artifact and to the act of painting itself in relation to (i) how the artist sees and (ii) what exactly he sees. We distinguish three areas of the visible in painting (nature, an artifact, and the Other) on the basis of Merleau-Ponty’s phenomenology and note that they resonate with three painting genres: landscape, still life, and portrait. We also, in the spirit of the phenomenology of visible, conceptualize, on the basis of Cezanne’s painting, two poles of painting vision: “gestalt-inarticulate” and “formed-naming”.

Research target: Philosophy, Ethics, and Religious Studies
Language: Russian
DOI
Keywords: живописьportraitпортретМерло-Понтиlandscape paintingMerleau-Pontyпейзажabstract paintingCézanneseeing-seen (voyant-visible)eyephenomenology of visibleСезаннвидящее и видимое (voyant-visible)глазфеноменология ви́дения
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