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На подступах к текстологическому анализу и проблеме авторства пьесы «Десять дней, которые потрясли мир»
Русская литература. 2025. № 4. С. 217–225.
This article analyzes the documentary and literary sources of the renowned play Ten Days that Shook the World. It looks into the poetics of the play which manifests the special features of the dramaturgy of the 1920s–1930s, including the experience of collective authorship. The previously unpublished archival data are used. The term «dramaturgical experience» is proposed.
Logvinova N., Russian linguistics 2026 Vol. 50 Article 11
This paper presents the first in-depth corpus-based study of a previously overlooked syntactic variation in Russian: the competition between juxtapositional (Nominative) and possessive-like (Genitive) encoding of the second noun (the term) in specificational constructions (e.g., ponjatie čest’ (notion.NOM honor.NOM) vs. ponjatie česti (notion.NOMhonor.GEN) ‘the notion of honor’). While typological research has established cross-linguistic preferences for one encoding strategy over another, intralinguistic variation ...
Added: May 18, 2026
Зелинская Ю. Ю., Когнитивные исследования языка 2025 № 4(65) С. 180–186
The article focuses on the study of the onym as a cognitive stimulus that facilitates the decoding of the language of urban space across two ethnic groups. The research is grounded in the analysis of results from an onomastic associative experiment, aimed at identifying the dominant types of associative responses to anthroponyms, oikodonyms, hodonyms, and ...
Added: May 16, 2026
Starchenko A., Toldova S., Типология морфосинтаксических параметров 2023 Т. 6 № 1 С. 130–148
The study focuses on a previously unrecorded model of split agreement in the mirative paradigm in Kazym Khanty. Split agreement is found when comparing active and passive mirative constructions, as well as
in a limited set of uses of non-finite forms. In the passive voice, unlike the active voice, the 3rd person is unmarked and the ...
Added: May 14, 2026
Fedorov D., Jezikoslovni Zapiski 2026 Т. 32 № 1 С. 23–52
This article describes verbs denoting motion of liquid and dry substances in Slavic languages. The research explores how Slavic languages lexicalize different situations within the semantic field of substance motion and identifies the parameters that drive this lexicalization (e.g., type of substance, intensity and quantization of flow, and causation). Adjacent grammatical phenomena such as argument ...
Added: May 13, 2026
Gabrielova E., Максименко О. И., Социальные и гуманитарные науки на Дальнем Востоке 2026 Т. 23 № 1 С. 241–249
The article presents a diachronic analysis of the representation of women in Russian advertising, based on agitation posters from 1917-1990 and social and motivational advertising materials from 2000-2020. The aim of the study is to identify the evolution of verbal and visual strategies for constructing the image of women in the changing socio-political and cultural ...
Added: May 13, 2026
Velichkov B., Nikolova-Koleva I., Slavcheva M., Shumen: INCOMA Ltd, 2025.
The RANLP 2025 Student Research Workshop (RANLPStud’2025) is a special track of the established international conference Recent Advances in Natural Language Processing (RANLP’2025).
The RANLPStud is being organised for the 9th time and this year is running in parallel with the other tracks of the main RANLP 2025 conference. The target of RANLPStud’25 is to be a ...
Added: May 12, 2026
Кульков А. Н., Tsvetkova M. V., Вестник Томского государственного университета. Филология 2026 № 100 С. 158–173
Впервые делается попытка рассмотреть особенности фанфикшн как акта продуктивной рецепции, возникшего на основе цикла романов Терри Пратчетта о Плоском мире в России. Проведенный анализ показывает, что прежде всего авторы фанфиков стремятся передать стилистику и комическое начало оригинального цикла Пратчетта, вне зависимости от жанра и формата создаваемых ими произведений. Фикрайтеры наиболее часто обращаются к таким форматам, ...
Added: May 10, 2026
Pershkina A., М.: Альпина нон-фикшн, 2026.
Филолог Анастасия Першкина рассказывает о том, как писатель создавал свой мир, кем его населил, какие законы установил и почему этот мир так ярко действует на нас. Кроме того, вы узнаете, кто помогал Федору Михайловичу работать, как писатель связывал между собой произведения, что думали о его текстах современники и что же такое достоевщина. ...
Added: May 6, 2026
Gridneva E., Vestnik Tomskogo Gosudarstvennogo Universiteta, Filologiya 2026 No. 100 P. 38–52
This study investigates mixed languages, with a specific focus on their lexical characteristics. It proposes and substantiates the hypothesis that the degree of lexical mixing in such languages — reflected in the prevalence of doublets and the distribution of vocabulary between source languages — is linked to the specific pattern of their emergence, rather than ...
Added: May 6, 2026
Керимов Р. Э., Новое прошлое 2026 № 1 С. 148–162
The arrest of East German writer and publishing director Günter Hofé at the 1963 Frankfurt Book Fair became a unique episode of ideological confrontation between East and West Germany. Hofé is primarily known for his documentary-fiction trilogy about World War II, in which he actively participated as a Wehrmacht soldier. The analysis of the writer’s ...
Added: May 5, 2026
Максимов И. В., Новый филологический вестник 2025 Т. 73 № 2 С. 187–196
The majority of studies on the metrical aspects of Olga Sedakova’s poetry focus on the formal elements of versification, rarely exploring the substantive possibilities of the chosen metres. This paper fills this gap by analyzing the unified narrative of the four-foot amphibrach, tracing its development in Russian poetry from V.A. Zhukovsky to O.A. Sedakova. At ...
Added: May 5, 2026
Левченко Т. В., В кн.: Искусство советского времени: между официозом и подпольем.: М.: Издательство «Канон+» РООИ «Реабилитация», 2025. С. 452–464.
The archive of the literary critic Fyodor Markovich Levin (1901-1972) contains materials related to the theatrical life in the USSR in the 1920s -1970s. This is due not only to the general cultural interest and a wide range of friendships and acquaintances of F. M. Levin, but also to the fact that for many years ...
Added: November 24, 2025
Abelyuk E., В кн.: Искусство советского времени: между официозом и подпольем.: М.: Издательство «Канон+» РООИ «Реабилитация», 2025. С. 624–639.
The “Explanatory note” for a Literary Composition on Shakespeare's Chronicles by A. Anikst and Yu. Lyubimov (1967) is published and commented. Presumably the author of the note was A. A. Anikst. It was to accompany the composition when it was sent to the USSR Ministry of Culture for permission to include the play in repertoire. ...
Added: November 3, 2024
Паникар М. М., Соколова Ф. Х., Вестник архивиста 2017 № 4 С. 248–262
The article presents a comprehensive description of archival collections of the Norwegian and Russian archives, which contain the bulk of the primary sources on the history of the Soviet prisoners-of-war in Norway in the days of the Second World War. Content analysis and interpretation of the whole array of sources in the studied fonds allows ...
Added: January 15, 2024
Kucherskaya M. A., Scando-Slavica 2018 Vol. 64 No. 2 P. 121–134
The present article gives a detailed account of previously unknown documentary sources of Leskov’s short story “Episcopal Justice.” This story bears the subtitle “True story. From recent recollections,” which seems to suggest an autobiographical basis for the narrative. The ultimate aim of the study is to determine whether the story’s central incident—a Christian bishop comes ...
Added: July 4, 2018
Abelyuk E., Леенсон Е. И., Литература (Первое сентября) 2007 № 18
В статье рассказывается, как шла подготовка к спектаклю "Борис Годунов" в Театре на Таганке. Как из кропотливой совместной работы режиссера и актеров постепенно вырастало здание спектакля. Приводятся стенограммы репетиций 1982 года - до вынужденного отъезда Юрия Петровича за границу. ...
Added: October 12, 2017
Abelyuk E., , in: Творчество Юрия Любимова в отечественном и мировом театре: Международная конференция.: [б.и.], 2014. P. 109–114.
On the meaning of literary and historical sources in the work of Yu. Lyubimov. On the topic of relations between the authorities and the people in the plays of the director. On the material of Mussorgsky's opera "Boris Godunov" (La Scala Theater) and "History of the Russian State" by Karamzin; Dramatic performance "Ten Days That ...
Added: April 16, 2017
Abelyuk E., В кн.: Мир Высоцкого: исследования и материалыВып. VII.: М.: ГКЦМ В. С. Высоцкого "Дом Высоцкого на Таганке", 2012. С. 128–163.
A detailed transcript of the discussion of the performance of Yu.P. Lyubimov in the official state institution shows one of the stages of passing the theatrical performance through the Soviet censorship. The discussion is attended by: B. Pokarzhevsky, M. Miringof, and others (from the Mossovet); director of the theatre Yu. P. Lyubimov, historian of literature ...
Added: April 16, 2017
Abelyuk E., В кн.: Мир Высоцкого: исследования и материалыВып. VII.: М.: ГКЦМ В. С. Высоцкого "Дом Высоцкого на Таганке", 2012. С. 125–128.
Among people who had discussed the model of D.L. Borovsky to the play "Hamlet" (director Yu.P. Lyubimov) were theatrical scientists G. Boyadzhiev and V. Silyunas, theatrical critic N. Krymova, playwright A. Arbuzov and others. ...
Added: April 16, 2017
Abelyuk E., В кн.: Юрий Любимов. 80 лет в мировом сценическом искусстве.: М.: Три квадрата, 2014. С. 9–47.
Впервые описан творческий путь Юрия Петровича Любимова. Основное внимание уделено его режиссерской деятельности, в том числе его художественному методу. Рассматриваются как спектакли, поставленные в России, и более всего в Театре на Таганке, и за рубежом. ...
Added: April 26, 2014
Abelyuk E., Леенсон Е. И., Театр 2005 № 2 С. 11–16
The article is devoted to the scenario work of YU.P. Lyubimov for the play "Suf(f)Le" (Nietzsche, Beckett, Kafka, etc.) and his incarnation in the theater of the absurd. ...
Added: April 19, 2013
Abelyuk E., Леенсон Е. И., М.: Новое литературное обозрение, 2007.
What is the theatre of the Soviet state? This is the theatre, forced to live on the State rules. Theatre, clamped in a vise of the censorship machine. Why prohibited performances? Not because that found in them something seditious... The state feared theatre. Afraid of the art of the original, unexpected, beyond, such as in ...
Added: March 29, 2013