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Стенограмма обсуждения спектакля "Гамлет в Главном Управлении культуры Исполкома Моссовета. 22 ноября 1971 года
С. 128–163.
A detailed transcript of the discussion of the performance of Yu.P. Lyubimov in the official state institution shows one of the stages of passing the theatrical performance through the Soviet censorship. The discussion is attended by: B. Pokarzhevsky, M. Miringof, and others (from the Mossovet); director of the theatre Yu. P. Lyubimov, historian of literature A. Anikst, philosopher V. Nazarov (from the theater).
In book
Abelyuk E. Вып. VII. , М.: ГКЦМ В. С. Высоцкого "Дом Высоцкого на Таганке", 2012.
М.: ООО «Городу и миру», 2026.
Как преодолеть нарастающий мировой беспорядок. ...
Added: July 1, 2026
Nim E., Болдырева Д. И., Вестник Российского университета дружбы народов. Серия: Литературоведение, журналистика 2026 Т. 31 № 2 С. 445–456
This article examines the audience reception of Chinese television dramas, which have been gaining popularity in Russia. The production of Chinese TV dramas requires compliance with state censorship, which largely determines the final version of the media product. Under conditions of uncertainty and limited transparency regarding regulatory requirements, audiences of C-dramas develop their own understandings ...
Added: May 24, 2026
Vdovin A., Агеева А. А., Русская литература 2026 № 1 С. 89–99
В статье впервые реконструируется цензурная и издательская история журнала «Народное
чтение» (1859–1862) — одного из известных пореформенных изданий для народа. Авторы показывает,
что запуск журнала А. А. Оболонским и Г. Д. Щербачевым стал результатом конкуренции
с аналогичным проектом полковника И. Г. Чекмарева с таким же названием, который не получил
ведомственной поддержки. Начинание Оболонского и Щербачева, напротив, вначале ее получило,
но ...
Added: December 12, 2025
М.: ООО «Городу и миру», 2025.
Главная тема сборника Urbi et Orbi — круговорот цензуры на российских просторах. В статьях, подкрепленных архивными документами, подробно рассказывается о том, как гласность в годы перестройки сокрушила господствовавшую в СССР многие годы цензуру. Что привело к созданию закона о СМИ, первая статья которого провозгласила, что «Средства массовой информации в СССР свободны, цензура запрещается». Закон пока ...
Added: December 8, 2025
Левченко Т. В., В кн.: Искусство советского времени: между официозом и подпольем.: М.: Издательство «Канон+» РООИ «Реабилитация», 2025. С. 452–464.
The archive of the literary critic Fyodor Markovich Levin (1901-1972) contains materials related to the theatrical life in the USSR in the 1920s -1970s. This is due not only to the general cultural interest and a wide range of friendships and acquaintances of F. M. Levin, but also to the fact that for many years ...
Added: November 24, 2025
Rodin S., В кн.: История и культура Японии. Вып. 17.: М.: Издательский дом НИУ ВШЭ, 2025. Гл. 10 С. 188–203.
Added: November 21, 2025
Uspensky B. A., Русская литература 2025 № 2 С. 5–15
Tyutchev’s poem «Nature is not what you Imagine…» (the autograph has not survived) is known in two drastically different versions. One of them was published in Pushkin’s literary periodical Sovremennik in 1836, the other in Tyutchev’s lifetime collections of poems in 1854 and 1868. How can the coexistence of two very different versions of this ...
Added: August 7, 2025
Воробьёва О. А., Русская литература 2025 № 2 С. 140–145
Drawing on the archival data, the article offers the first ever exploration of a magazine project by L. A. Mey, Russia, the Chronicle of National Events, Literature, Science and Arts. Even though the permission to publish the magazine was granted twice (in 1854 and 1856), Mey never brought the project to fruition. The analysis of ...
Added: July 21, 2025
Bodrova A. S., Русская литература 2025 № 2 С. 126–139
The article explores the censorship history of the early Russian translations of Alessandro Manzoni’s novel The Betrothed (I Promessi Sposi). Examining the specific institutions of cultural transfer, the Foreign Censorship Committee that regulated the circulation of foreign language books and the rank-and-file censorship departments that were responsible for the translations into the languages of the Russian Empire, the author ...
Added: July 21, 2025
Vozhik E., Maslinsky K., Lisiukov R., CEUR Workshop Proceedings 2024 P. 938–949
The article focuses on the systemic effects of censorship that manifest themselves in the content of published materials that successfully passed the censorship filters. We understand censorship as a special kind of collective imagination about the (in)acceptable, inherent in a particular political context and influencing the decision-making logic by different actors. The idea is that ...
Added: April 3, 2025
Pershkina A., Русская литература 2024 № 4 С. 235–238
The article analyzes the beginning of the literary career of the writer Ya. P. Butkov. Using the data from the archives of the St. Petersburg Censorship Committee, we show that Butkov tried to publish his short story Bitka in Literaturnaya Gazeta, yet it didn’t get past the censors. In the sum mer of 1845, when ...
Added: December 28, 2024
Tsvetkova M. V., Имагология и компаративистика 2024 № 22 С. 124–144
The article focuses on film adaptation as a phenomenon of intersemiotic translation. The comparative analysis of two screen versions of “Hamlet” reveals how semiotic capacities of cinema enable each of the filmmakers to interpret the play differently. ...
Added: November 25, 2024
Abelyuk E., Русская литература 2025 № 4 С. 217–225
This article analyzes the documentary and literary sources of the renowned play Ten Days that Shook the World. It looks into the poetics of the play which manifests the special features of the dramaturgy of the 1920s–1930s, including the experience of collective authorship. The previously unpublished archival data are used. The term «dramaturgical experience» is ...
Added: November 3, 2024
Abelyuk E., В кн.: Искусство советского времени: между официозом и подпольем.: М.: Издательство «Канон+» РООИ «Реабилитация», 2025. С. 624–639.
The “Explanatory note” for a Literary Composition on Shakespeare's Chronicles by A. Anikst and Yu. Lyubimov (1967) is published and commented. Presumably the author of the note was A. A. Anikst. It was to accompany the composition when it was sent to the USSR Ministry of Culture for permission to include the play in repertoire. ...
Added: November 3, 2024