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East Syriac Scribal Poetry in Paratextual Manuscript Parts: Main Types and Groups
Scrinium: Journal of Patrology and Critical Hagiography. 2022. Vol. 18. No. 1. P. 315–334.
The present paper discusses various kinds of poetry represented in scribal paratextual parts of East Syriac manuscripts, such as introductions and colophons. In the current article, we have attempted to develop a general typology of this kind of verse pieces and to discuss the details of their transmission in diachronic scope, starting with the Mongol period and focusing on the Ottoman time, when this type of texts obtained a large popularity.
Keywords: сирийская поэзияSyriac poetryвосточносирийское христианствоEast Syriac Christianityписцовая поэзияEast Syriac manuscriptsвосточносирийские рукописиParatextual manuscript parts
Publication based on the results of:
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Moskvina Z. О., Филология: научные исследования 2026 № 8 С. 629–640
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Borkina A., Russian Japanology Review 2026 Vol. 9 No. 1 P. 30–48
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Minov S., Journal of Ancient Christianity 2025 Vol. 29 No. 1 P. 85–107
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Pritula A., Leiden: Brill, 2025.
ʿAḇdīšōʿ of Gazarta: Patriarch, Poet and Scribe focuses on the literary legacy of the prominent East Syrian poet and churchman who lived in the 16th century. The role of ʿAḇdīšōʿ of Gazarta for East Syriac ecclesiastical poetry is significant. He was the second patriarch of the Chaldean Church and the founder of its literary tradition.
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Lyavdansky A., , in: La religion populaire des chrétiens de tradition syriaque (Études syriaques 19).: P.: Librairie orientaliste Paule Geuthner S. A., 2024. P. 405–429.
This paper purports to open a new direction in the study of Syriac charms. It is still welcome to publish hitherto unedited manuscripts, but it is more important to classify and typologize these texts. The objective of this paper is to present one of the possible ways to classify Syriac charms. This classification is primarily ...
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In numerous works by Sebastian Brock, a very detailed typology of Syriac dialogue poetry has been worked out that shows also the stages of its evolution. Most of such poems (sōghīthā, pl. sōghyāthā), being strophic and used for liturgical antiphonal singing, were composed in the 4th-7th centuries. Later on, after the Arabic conquest, the Syriac ...
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Anton D. Pritula, Written Monuments of the Orient 2023 Vol. 9 No. 2(18) P. 95–113
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