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Vision & Material: Interaction between Art and Science in Jan van Eyck’s Time
Brux. :
KVAB [Koninklijke Vlaamse Academie van België] Press, 2012.
Under the general editorship: M. De Mey, M. P. Martens, C. Stroo
The achievements of Jan Van Eyck coincides with Leon Battista Alberti’s writing of De Pictura (On Painting), a turning point in the history of art. The treatise applies the late medieval science of vision (optics) which Jan van Eyck equally appears acquainted with, but which he pursues in another direction than Alberti. This book contains papers dedicated to the interaction between Art and Science in Jan van Eyck’s Time. It is based on the conference, organized the Royal Flemish Academy of Belgium in Brussels.
Chapters
Uspensky B. A., , in: Vision & Material: Interaction between Art and Science in Jan van Eyck’s Time.: Brux.: KVAB [Koninklijke Vlaamse Academie van België] Press, 2012. Ch. 10 P. 183–209.
An analysis of the Ghent Altarpiece by Jan van Eyck shows that the depicted figures are arranged according to the dualism of earthly versus heavenly space. Two kinds of perspective are presented here: that of an external observer (this perspective virtually corresponds to the point of view of a spectator who is watching the Altarpiece) ...
Added: February 17, 2013
Research target:
Philosophy, Ethics, and Religious Studies
Priority areas:
humanitarian
Language:
English
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