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Феномен метамодернизма в современном изобразительном искусстве России (на примере живописи Виталия Пушницкого)
Идеи и идеалы. 2021. Т. 13. № 1 (47). ч.2. С. 425–441.
The article is devoted to the analysis of the functioning of metamodernism in the field of Russian contemporary art. Researchers of metamodernism talk about the revival of historicity, depth and affect that were lost with the era of postmodernism. Metamodernism is characterized by oscillation, metaxis, new sincerity, neo-romantic sensuality, reconstruction, etc. In this paper, the author attempts to analyze markers of metamodernism in the visual arts using the example of the artist Vitaly Pushnitsky (St. Petersburg). The material for the study was a research interview with the artist V. Pushnitsky, as well as semiotic and formal-stylistic analyzes of his works (2015-2020). The author comes to the conclusion that through such markers of metamodernism as oscillation, reconstruction and appeal to new sincerity, the artist V. Pushnitsky seeks to show the reality in which the artist is at the stage of searching for new artistic means of expression. Along with this, through certain compositional and color features, V. Pushnitsky pays tribute to such artists as P.-O. Renoir, C. Monet, L. da Vinci, F. Bacon, as well as the Japanese poet I. Kosugi.
Priority areas:
humanitarian
Language:
Russian
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An eventful century has passed since the writings, activities, and networks of René Guénon (1886-1951), Ananda Coomaraswamy (1877-1947), Julius Evola (1898-1974), and Frithjof Schuon (1907-1998) initiated what has come to be known as Traditionalism. Within recent decades, unprecedented attention has been drawn to Traditionalism and Traditionalists, both historical and contemporary, in nearly all possibly categorizable ...
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/ Series SSRN Working Paper Series "SSRN Working Paper Series". 2026.
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