III International Conference Tao-Klarjeti
Information in the SGEM 2017 Conference Proceedings is subject to change without notice. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, for any purpose, without the express written permission of the International Scientific Council of SGEM.
The dream as a cultural figuration in Richard Beerhofmann „The death Georg“ permits us to open some row of constants of the modern age in Austria. These constants are Narzissismus, aesthetic perception of the world which stylises of all living to the art object, and disregarding of the social reality. At the example the dream in the work the artistic problems of the modern age are interpreted.
The book contains the contributions of the 18th annual conference Franz Werfel-StipendiatInnen.
The application of «protective reservations» is a fundamental principle of modern codifications of the private international law. The post-graduate student of the Private International Law Department, Faculty of Laws, National Research University «The Higher School of Economics», the advocate E.A. Kruty (e-mail: firstname.lastname@example.org) minutely analyses provisions about the reservation about the public policy and mandatory rules which are included in the international acts and ten national codifications of XXI centuries (Azerbaijan, Lithuania, Estonia, Mongolia, Russia, Belgium, Bulgaria, Ukraine, Macedonia, Turkey). Despite the apparent prevalence of the negative construction of the reservation about the public policy the lawmaker prefers in some situations its positive variant. An appeal to codifications allows to identify the certain conditions on which protective reservations take effect. Their most detailed description is contained in the Belgian and Bulgarian codes. Not less interesting is a regulation of the legal consequences coming as a result of application of these legal institutions for private legal relations with a foreign element including in the international civil procedure.
The representation of the First World War in Richard Schaukals „brass sonnets“ served the purposes of the political propaganda. The form of the sonnet, the three-part composition and the use of bombastic metaphors were subordinated to this purpose. Besides, the politicisation of the aesthetics also entails the politicisation of the art what has found her succinct picture in the „brass sonnets“.
The article is told for minds of the leader statesmen of Russian Empire in the first half of XIX century, for must become Transcaucasia as province or as colony of Russian Empire? The first point was won, but it was to detriment of Russia.
The book contains the contributions of the 19th annual conference Franz Werfel-StipendiatInnen.