Текстология и историко-литературный процесс I. Сборник статей
The dream as a cultural figuration in Richard Beerhofmann „The death Georg“ permits us to open some row of constants of the modern age in Austria. These constants are Narzissismus, aesthetic perception of the world which stylises of all living to the art object, and disregarding of the social reality. At the example the dream in the work the artistic problems of the modern age are interpreted.
The combination of the names «Alexander and Isakios» in the final clause of the Preface to the Younger Recension of the First Novgorod Chronicle (N1) is explained as indirectly referring to the names of two prominent Novgorodians of late 14th – early 15th centuries – posadnik Alexander the Caeser and boyar Isak Okinfov. Genealogical ambitions of the competing boyar clans is regarded as a factor that caused the inclusion into the Novgorod Episcopal Chronicle of the angiographic tales of St. Alexander Nevsky and Mikhail Chernigovskij, as well as of the account of the Kulikovo battle. The compiling of the protograph of N1 is shown to have preceded that of the Novgorod-Sophia Compilation (protograph of the Sophia 1 and Novgorod 4 chronicles) and is presumably dated to the short period of Novgorod’s loyalty to Moscow in 1397 which also saw the culmination of the careers of Alexander the Caeser and Isak Okinfov.
Article is dedicated to the problem of the formation of Lev Tolstoy's world views and evolution of his views on the violence and the war. There is shown Tolstoy's way from the patriotic directivity to the substantiation of idea nonviolence and the nonresistance to evil by force.
The article discusses the narrative strategies in Benedikt Livshits’s One and a Half- Eyed Archer, in which one can distinguish, conditionally speaking, a “Gogolian” and a “Tolstoyan” principle. This determines the portraiture, in a more or less positive or negative light, of various major Futurists, such as David Burliuk, Aleksei Kruchenykh, Velimir Khlebnikov, Vladimir Maiakovskii, and other figures, such as Elena Guro, Igor’ Severianin and Nikolai Kul’bin.
The representation of the First World War in Richard Schaukals „brass sonnets“ served the purposes of the political propaganda. The form of the sonnet, the three-part composition and the use of bombastic metaphors were subordinated to this purpose. Besides, the politicisation of the aesthetics also entails the politicisation of the art what has found her succinct picture in the „brass sonnets“.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.