Труд творческих работников: социологическая концептуализация
This article examines critical creative labour studies (CCLS) as a theoretical tradition. The article is divided into three main sections. The first section provides an excursion into earlier than CCLS studies on the sociology of art, which formed the specific industrial logic of the view of culture and its producers (R. Peterson, G. Becker, N. Enick, P. Bourdieu). The second section presents the main provisions of critical research of creative work, considers the context of their emergence of this direction (A. Macrobie, D. Hezmondalsh, R. Gill, M. Banks, etc.). Finally, in the third section, the question of the applicability of this research paradigm to the Russian context is considered, methodological recommendations are given for conducting such studies.