Возвращение трофейного кино: актуализация послевоенного опыта в мемуарных дискурсах 1980— 2000-х годов
This article is devoted to the retrospective perception of the phenomenon of “trophy films” in the USSR and post-Soviet Russia. Based upon an analysis of memoirs, fiction, non-fiction, articles in the press, this research aims to answer the question of why there was such an intense interest in the phenomenon of trophy films from the 1980s through the 2000s. The structure of the text follows two main directions, based upon remembrances about two key trophy films: Tarzan and The Woman of My Dreams. As a result, the research analyzes the discourse and interpretations brought to the cultural landscape of the 1980s through the 2000s.