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Медиаискусство как переосмысление жизни (интервью с О.В. Шишко)
Коммуникации. Медиа. Дизайн. 2016. Т. 1. № 3. С. 86-93.
Videoart is one of the most vividly evolving phenomenon of mediaart, and its destiny in Russia was far from lucky. In the middle of 1980 one of the first works of videoart were created only by underground artists, the facilities were butleg and illegal. Only 10 years later were launched some of the first exhibitions of videoart, which were supported by the State. During these years the idea of videoart itself developed greatly. In the following interview the Director of «MediaArtLab» Olga Shishko shares her views about the current state and latest trends of screen component of mediaart.
Staruseva-Persheeva A., В кн. : Искусствознание: наука, опыт, просвещение. Сборник статей по материалам международной научной конференции 9–11 ноября 2017 года. : Государственный институт искусствознания, 2018. С. 24-32.
Видеоарт как искусство, возникшее в результате развития техники и накрепко связанное с ним (technology based art, media art), требует регулярной ревизии своей дефиниции в связи с развитием технологий. В разные периоды времени на передний план выходили различные особенности медиума и, соответственно, грани видеоискусства. Нам представляется, что сейчас ключевым для понимания сущности видео и его значения в ...
Added: November 15, 2018
Fadeeva T., Staruseva-Persheeva A., Обсерватория культуры 2019 Т. 16 № 5 С. 476-487
The article is devoted to contemporary comic series perceived as a kind of "laboratory" designed for experiments with narration. Focusing on the dynamics of spatial and temporal continuums in various types of comics (books, magazines, web-pages, and interactive platforms) we argue that the manner of narration in this "sequential art" resembles that of contemporary media art being ...
Added: November 6, 2019
Першеева Александра, М. : Т8, Пальмира, 2020
This study examines the history of video art as a special form of moving image that consistently violates the rules and traditions developed in cinema and on television. Alexandra Persheeva shows how, with the help of montage, it is possible to push together not only images, but also entire discursive fields, how meanings arise at the ...
Added: June 17, 2020
Staruseva-Persheeva A., Fadeeva T., В кн. : Proceedings of the 3d International Conference on Art Studies: “Science, Experience, Education” (ICASSEE 2019). : Atlantis Press, 2020.
This article focuses on media art (and specifically - virtual reality) as a powerful tool which allows transforming social agenda into personal meaning for a participating viewer. VR has recently become an intriguing medium which makes one feel present in the artistic “text”; to maximize the effect of immersion many VR projects give the viewer ...
Added: October 6, 2020
Staruseva-Persheeva A., Вестник ВГИК 2015 № № 3 (25) С. 82-91
The phenomenon of a one-shot video art is viewed in this article as a specific narrative structure, persuading a spectator not to concentrate on the actual meaning of a video but to plunge into variety of interpretations. Author analyses the specific features of design in a one-shot videos and the means of expression such a ...
Added: September 8, 2015
Fadeeva T., Staruseva-Persheeva A., Skovorodnikov P. Y. et al., Вестник Томского государственного университета. Культурология и искусствоведение 2023 № 50 С. 139-152
The current issue focuses on the specifics traits of animated images in GIF format, which allow spectator to get a unique user experience of interacting with moving pictures.
In some cases "animation" does not produce a significant aesthetic effect and is mainly used to attract viewer’s attention to some information, for example, to news or an ...
Added: November 15, 2021
Staruseva-Persheeva A., Вестник ВГИК 2014 № 4 (22) С. 126-135
Video art is a hybrid acquiring the means and goals of both contemporary art and the arts of screen. It brings together different ways of perception working both in a manner of a movie which transfers the viewer into virtual daydreaming (Matthew Barney, Steeve McQueen), and in a manner of a painting or sculpture which ...
Added: October 13, 2015
Kozicharow N., The Garage Journal 2021 No. 4 P. 13-38
This article investigates the relationship between audiences and the moving image in cinematic and virtual space(s) outside of the museum through Canadian artist Levi Glass’s new media project Cineorama. This wooden panoramic cinema, which the artist built in 2019, immerses viewers in the eight-channel video Baptizo—a 360° experience of the Baptistery in Florence—on double-sided screens inside and ...
Added: January 31, 2022
Першеева Александра, М. : АСТ, 2020
The book is devoted to analyzing the oeuvre of Jan Vermeer in the context of Delft School development and the epoque of Baroque art. The author focuses on Vermeer's style which evolved due to traditions of genre painting adopted in the Netherlands, however, its unique features bring genre painting to the level of symbolic generalization. The first 9 chapters of this research are displaying various aspects of Vermeer's art, and ...
Added: June 17, 2020
Staruseva-Persheeva A., Духан И. Н., Праксема. Проблемы визуальной семиотики 2022 № 3 С. 9-38
A new ontology of seeing introduced by cinéma d’auteur and video art is proposed in the present paper. This ontology is associated with the transition from a centered position of subjectivity and perspectival construction of reality belonging to classical art – to a slowed-down vision and “drifting” glance intro- duced by new media. These slowed, ...
Added: May 18, 2022
Пилчер А., Ad Marginem, 2019
За последний век художники создали множество произведений, которые бросают вызов традиционным моделям гендера и сексуальности. Серьезные или игривые, гротескные или лиричные, полные скрытых подтекстов или обращающиеся к зрителям напрямую, эти произведения поражают разнообразием.
Книга Алекса Пилчера предлагает читателям краткий путеводитель по квир-искусству всего мира. Среди ее тем — тело и идентичность, любовь и желание, исповедь и ...
Added: September 10, 2020
Rome : Treccani Publishing House, 2021
Книга посвящена современному искусству. В "Энциклопедии Трессани" ведущие мировые специалисты в области современного искусства представляют contemporary art в его наиболее существенных проявлениях. ...
Added: February 20, 2019
Fadeeva T., Праксема. Проблемы визуальной семиотики 2022 № 3(33) С. 73-96
This article discusses a special way of the bodily presence of the viewer in
various works designed for virtual reality. In some of them, the viewer is not
able to interact with the world of a virtual installation and influence the events
taking place in it (although they can, for example, move through the digital
space); in others, there ...
Added: September 29, 2022
Staruseva-Persheeva A., Обсерватория культуры 2017 Т. 14 № 3 С. 302-309
This research is devoted to spectator's role in the system of screen culture: in cinema, television, video art and computer games especially those designed for the virtual reality. Special attention is paid to the variety of unspoken rules and conventions in such spaces as cinema-hall and contemporary art gallery due to the way such differences ...
Added: July 21, 2017
Medvedev S. A., Journal of Contemporary Central and Eastern Europe 2018 Vol. 26 No. 2-3 P. 165-179
The article studies the political art of the Russian artist Pyotr Pavlensky, in particular his actions of 2012-2016, in the conext of the biopolitical transformation of contemporary Russia. It conceptualizes and applies Michel Foucault's "biopolitics" to contemporary Russia. In this paradigm, Pavlensky apprears as "bare life", in the terms of Giorgio Agamben, and his physical body ...
Added: April 14, 2018
Fadeeva T., Staruseva-Persheeva A., , in : Proceedings of the 3rd International Conference on Art Studies: “Science, Experience, Education” (ICASSEE 2019). : P. : «Atlantis Press» (Paris, France), 2019.
Abstract—This article focuses on media art (and specifically
- virtual reality) as a powerful tool which allows transforming
social agenda into personal meaning for a participating viewer.
VR has recently become an intriguing medium which makes
one feel present in the artistic “text”; to maximize the effect of
immersion many VR projects give the viewer an opportunity to
be not just ...
Added: November 29, 2019
Fadeeva T., Staruseva-Persheeva A., Художественная культура 2019 № 1 С. 162-173
The article is dedicated to analysis of artistic practices of neodada and its possible reintegration in the current art process. Taking such neodada features as process-based and performative projects we point out the relation of such practices to zen philosophy which used to influence the intellectuals in 1950–1960s. We argue that the aim to fight ...
Added: April 24, 2019
Steiner E. S., Зеркало 2017 № 50 С. 121-140
The article explores the attempts of artists, West and East alike, to infuse real movement and temporality in their creations. The history of these attempts and various devices used is researched on the broad material from the Romanticism to Impressionism to psychedelic art and computer animation. The text is enhanced with the numerous links to little-known ...
Added: February 25, 2018
Sakhno I., Staruseva-Persheeva A., , in : 6th SWS International Scientific Conference on Arts and Humanities 2019. Conference proceedings. Volume 6. Issue 1. Vol. 6: 6th SWS International Scientific Conference on Arts and Humanities 2019. Conference proceedings. Issue 1.: STEF92 Technology Ltd., 2019. P. 235-240.
Authors of the paper are focusing on American artist James Turrell's investigation of the
nature of light in his conceptual projects. By the means of creating a specific immersive
environment where a spectator is plunging into a unique optical space set up by light installations,
the artist reconstructs a sensory synesthesia experience: a synthesis of light, color, music, ...
Added: November 29, 2019
Cherkaev, Xenia A., Fieldsights, Society for Cultural Anthropology (США) 2020
Lacking state-imposed quarantines, we’ve been abandoned to personal choices. Advising us to save ourselves and our neighbors by staying home, our governments struggle to keep the wrong doubts from going viral. The Russian state, in particular, has announced crackdowns on fake news: citing the danger of Covid-19, new laws harshly penalize the “spread of false ...
Added: September 13, 2020
Trubochkina N. K., Лиховцева А. В., Мир техники кино 2015 Т. 38 № 4(9) С. 10-17
The article describes a technology for creating fractal graphics images and environments for film and television professionals, seeking new forms of realization of their creative ideas.
A part of the fractal art images by category: space, planets, landscapes, cities and architecture, series, objects, art sensationalism is presented.
These mathematical objects can be the basis for new films, ...
Added: February 23, 2016
Afanaseva I., Sorokin P. S., Голощапов А. А., Шаги/Steps 2024 Т. 10 № 1
В статье выдвигается и рассматривается авторская типология агентности в современном искусстве (1) социальная трансформация; 2) эскапизм; 3) кризисная адаптация; 4) трансформация субъекта действия); приводятся количественные характеристики представленности каждого типа агентности и конкретные примеры. Особое внимание уделено тому, какие формы проактивного действия порождает сфера искусства, и как обнаруженные кейсы отражают более широкие процессы в социальной жизни Европы. ...
Added: December 18, 2023
Жуматина М.-С. Д., Философия. Журнал Высшей школы экономики 2022 Т. 6 № 3 С. 385-401
Review of: Brettkelly-Chalmers, K. 2019. Time, Duration and Change in Contemporary Art: Beyond the Clock. Bristol: Intellect Books. ...
Added: February 18, 2023
Zamyatin D., Художественный журнал 2016 Т. 99 С. 38-48
Тенденции к актуализации искусства, столь чётко проявляющиеся, усиливающиеся и доминирующие в постмодернистских и глобализационных контекстах и дискурсах, несомненно, опираются на существенно иные онтологии воображения. Эти онтологии воображения во многом представляют собой «разрыв» – как онтический, так и коммуникативный – с модернистскими онтологиями воображения, включая, по-видимому, и сам концепт «современного искусства». Всякая пространственность, воображаемая и воспринимаемая, ...
Added: October 19, 2017