"Неведомый мир": русская и европейская эстетика и проблема репрезентации крестьян в литературе середины XIX века
This paper provides some comparison of Herzen’s and Hegel’s notions on philosophy of history and claims to represent Herzen, anatomizing the situation of European riots of the mid. 19th century, as а thinker of current interest. While Herzen asserts that history is a development process with no predetermined goal, Hegel (whose works were very important for Russian intellectuals of Herzen’s generation) proclaims that history has already ended with the Napoleon’s Empire and his own — Hegel’s — philosophy.
The collection of articles is devoted to the "Apollo" magazine
References to the problem of the End of History are not infrequent in various political, cultural and philosophic discussions. This notion is often postulated as something quite apparent or as something of great influence and which nevertheless both are attemted to be refuted. The purpose of the paper is to follow philosophic roots of this conception and observe conditions and stages in its development.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.