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August 25, 2026
Scientists Develop Algorithm for More Reliable Processors in Data Centres
Researchers from HSE MIEM and Samara University have developed the LRF-3D algorithm to automatically bypass idle nodes in three-dimensional networks-on-chip. Thanks to its hierarchical architecture, the algorithm outperforms existing solutions in both speed and path accuracy, improving processor reliability for use in data centres, supercomputers, and AI computing. The source code and test results are publicly available.
August 24, 2026
Researchers Develop Method for Direct Generation of Regulatory DNA
Researchers at HSE University have developed a model for generating promoters and enhancers—DNA sequences that regulate gene activity. The model works directly with DNA nucleotides, without first transforming them into a continuous numerical representation. This solution could be useful for applications in synthetic biology and gene therapy. The study results were presented at the ICLR 2026 Workshop ‘Generative AI in Genomics (Gen^2): Barriers and Frontiers.’
August 21, 2026
Social Integration: At the Crossroads of Knowledge and Values
The International Laboratory for Social Integration Research (ILSIR) at HSE University studies the challenges faced by vulnerable groups and explores ways to help them participate fully in everyday life. To develop effective solutions, the laboratory’s researchers combine cutting-edge methods with practical fieldwork. In this interview with the HSE News Service, Laboratory Head Elena Iarskaia-Smirnova discusses the laboratory’s work.

 

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Популярная музыка в контексте современных культурных исследований: формирование и академизация popular music studies

Общественные науки и современность. 2015. № 5. С. 163–176.
Kolesnik A.

The paper focuses on emergence of contemporary popular music studies in the tradition of cultural studies, stages of this new disciplinary field formation and basic controversial issues. Traditional fields in musical studies are musicology and sociology of music, each of these disciplines developed a certain view of music covering the different sides of ‘musical’, and approaches to its analysis. Nevertheless, interest in popular music phenomenon and development the academic tools of its analysis are associated primarily with cultural studies focused on the study of contemporary popular cultural forms. For a long time status of popular music researches have been disputing by ‘traditional’ disciplines, questioning their legitimacy and scientific character. Discussions about the nature of popular music initiated by new musical researchers in the 1980s had a significant impact not only on the formation of understanding popular music as a complex cultural phenomenon, but development of new field, popular music studies. Also it significantly transformed ‘traditional’ musicological disciplines. The author examines the process of popular music studies academization and its features as interdisciplinary project, which has become the basic approach for understanding, analyzing and problematization of popular music.

Research target: History and Archeology Sociology (including Demography and Anthropology
Priority areas: humanitarian
Language: Russian
Full text
Keywords: социология музыкикультурные исследованияcultural studiespopular musicпопулярная музыкаpopular music studiespopular music studiesмузыковедениеmusicologysociology of music
Publication based on the results of:
Urban imagery in the systems of communication (from XV to XXI century) (2015)
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