Социальный порядок и политическая теология в «Игре престолов»: чем культовый сериал интересен для теоретической социологии

Социологическое обозрение. 2020. Т. 19. № 1. С. 139–159.

Kildyushov O.

The paper is a review of a number of writings in the humanities and in social science devoted to George Martin’s series of epic fantasy novels A Song of Ice and Fire, and the television-serial drama Game of Thrones. At the beginning, we analyze the researchers’ most heuristically-fruitful intellectual reactions to Game of Thrones, that is, specific products such as texts that may be of interest to social theory. The main part of the article considers the institutional and discursive order of George Martin’s saga through the research lens of the classics of modern social theory, such as Niccolo Machiavelli, Thomas Hobbes, and Max Weber. The paper then briefly touches upon the religious situation in Westeros, whose system of values and norms is paradoxically characterized by both post-secularism and a surge of religious fundamentalism. As a next step, it analyzes the political theology in the Game of Thrones, which is considered within the perspective of a transcendental legitimization of politics as proposed by Carl Schmitt. In conclusion, the paper considers Westeros’ cognitive landscape which consists of various competing epistemic sets (maesters, septons, white walkers, etc.), and structurally reproduces the situation in the societies of late modernity.

Keywords: социальный порядок, Макс Вебер, политическая теология, Max Weber, social order, political theology, Game of Thrones, George Martin, Джордж Мартин, «Игра престолов»