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Англо-шотландская баллада: от глубинных смыслов к их интерпретации на русском языке на основе когнитивной методики перевода
The article describes linguistic and conceptual characteristics reflected in the text of the famous Anglo-Saxon ballad “Thomas of Erceldoune” belonging to the pen of Thomas Learmont (the end of the 13th century). The mapping out of basic language and conceptual categories help to render the author’s deeper semantic constructs aimed at reflection of Celtic and Christian outlook of the Middle Ages. The thorough analysis of the ballad text from Thornton manuscript explicates which conceptual senses are profiled in Sergey Shabalov’ translation and what is transferred in the translation of Walter Scott’s variant in the poetic work of Samuil Marshak. The integrative cognitive methodology introduced by the authors of this article reveals the conceptual information and type of knowledge embodied in the original and then degree of representation emerging in the Russian language interpretations.