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May 25, 2026
HSE Scientists Train Neural Network to 'Hear' Faults in Electric Motors
Researchers at the AI and Digital Science Institute of the HSE Faculty of Computer Science have developed a new method—the Signature-Guided Data Augmentation (SGDA) framework—that achieves 99% accuracy in motor fault detection and 86% accuracy in fault classification. The application of this approach can reduce industrial equipment repair costs, minimise downtime, and improve production safety. The study results have been published in Engineering Applications of Artificial Intelligence.
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Popular Culture And History: Representations Of The Past In British Popular Music Of The 2000s

2014. No. 54.
Kolesnik A.
This paper investigates the basic mechanisms of representation of the past in British popular music in the early 2000s. Changes in the music industry associated with the emerging and wide dissemination of new media has affected the search for new musical decisions, reformatting attitudes to the past in general, and to the musical past in particular. In this regard, questions of historical representations in popular music and their relationship with cultural heritage are closely interrelated. This paper analyses the mechanisms and formats of ‘working’ with the past in British popular music of the 2000s using examples from the London rock band, the Libertines. The author draws conclusions about structure of historical representations in popular music and their typology. The use of popular music studies approach is suggested to analyze mechanisms of representation of the past and broaden the concept of popular music.
Research target: History and Archeology Philosophy, Ethics, and Religious Studies
Priority areas: humanitarian
Language: English
Full text
Text on another site
Keywords: культурное наследиеcultural heritagepopular cultureпопулярная культурарепрезентация прошлогоpopular musicпопулярная музыкаrepresentations of the pastpopular music studiesthe Libertinespopular music studiesThe Libertines
Publication based on the results of:
The construction of the past and forms of historical culture in contemporary urban spaces (2014)
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