Социологический подход к оценке организаций исполнительского искусства: опыт одного исследования
Edited by: М. Г. Пугачева М.: ИД "Дело", 2015.
Абрамов Р. Н., Зудина А. А. Мониторинг общественного мнения: Экономические и социальные перемены. 2010. № 6. С. 109-119.
Added: Oct 14, 2012
Эластичность спроса на исполнительское искусство по цене и доходу: основные результаты эмпирических исследований
Автономов Ю. В. Журнал Новой экономической ассоциации. 2012. № 2. С. 135-138.
Added: Aug 18, 2012
Социология искусства без искусства. Индустриальная метафора в социологических исследованиях искусства
Фархатдинов Н. Г. Социологическое обозрение. 2008. Т. 7. № 3. С. 55-69.
Added: Sep 25, 2012
Ozhegova A., Ozhegov E. M. Working papers. AWP. ACEI, 2016. No. 05 - 2016.
This paper studies the behavior patterns among the theatre’s attendants in the process of ticket’s purchase. Since the theatre attempts to balance between the high rate of occupancy and the affordable prices for the spectator, the purpose of the study is to reveal the effects of changes in prices on attendance rate on different levels of attendance. This project is conducted conjointly with the Perm Tchaikovsky Opera and Ballet Theater. Data is taken from the sales information system of the theater for four seasons 2011-2012/2014-2015. The data is disaggregated to the level of the seating area and performance and consists of the attendance rate, the set of prices and the performance characteristics. The research explores the determinants of demand using censored quantile regression that accounts for the heterogeneity of effects on different levels of attendance rates and censoring. We have estimated the parameters of demand function and revealed that the aggregated demand is elastic by price, at the same time the elasticity varies across different seating areas. Moreover, demand for the more popular seats and performances expectedly turns out to be the less elastic.
Added: Jun 13, 2016
Papushina I. O. Humanities. HUM. Basic Research Programme, 2015. No. WP BRP 107/HUM/2015 .
This paper considers fashion as a factor of theatre attendance. The research setting is the industrial city Perm with approximately one million citizens. Perm opera and ballet theatre found in 1870 is “Russia’s third ballet Mecca, after Moscow and St. Petersburg”. Series of in-depth interviews, content-analysis and analysis of discourse provide “corroborative evidence”. The research is based on fashion value framework, which regards fashion guided behaviour as a function of shared values called fashion values. The literature review generates insights about the role of fashion in high culture consumption and arguments pro applicability of the fashion values framework for theatre attendance. The data comes from 23 in-depth interviews with visitors and non-visitors of Perm opera and ballet theatre. The research develops the set of indicators of fashion awareness in context of theatre attendance. The results shows that institutionalized cultural capital and occupation in cultural industries matter for fashion awareness of a particularly participant. So far, it is supposed education and occupation play more important role as an explanation of fashion awareness than class does. The ways for future investigations are discussed
Added: Oct 19, 2015
Новикова А. А. М.: Эдиториал УРСС, 2004.
Added: Nov 8, 2011
Кирчик О. И. В кн.: Мыслящая Россия. История и теория интеллигенции и интеллектуалов. М.: Фонд "Наследие Евразии", 2009. С. 314-333.
Added: Feb 27, 2013
Лебедева Е. И. В кн.: Век Просвещения. Выпуск IV: Античное наследие в европейской культуре XVIII века. Вып. 4: Античное наследие в европейской культуре XVIII века. М.: Наука, 2012. С. 307-325.
Added: Jan 18, 2013
Edited by: Н. Земон Дэвис, А. Фарж Т. 3. СПб.: Алетейя, 2008.
Added: Sep 14, 2012
Alexei Malinovskii, Poor But Noble: Translating August Von Kozebue’S Poverty and Nobleness of Mind as a Way of Social Self-Presentation
Lavrinovich M. Humanities. HUM. Basic Research Programme, 2017. No. WP BRP 155/HUM/2017.
This paper discusses the problem of the adaptation of a new cultural model by the educated members of the Russian “middle class” in the late 18th century when new social skills and new kinds of the perception of social reality were transmitted to the public through the emotionally very intensive theatre performances. Examining the translation of the drama Poverty and Nobleness of Mind by August von Kozebue and taking into account that the drama was staged at the private theatre of Alexandr Vorontsov, Malinovskii’s patron, in 1799, I suggest that he had some apprehensions about his own noble status which he obtained in a specific way. He seems to face the choice: to act on his feelings as sentimental dramas instructed him and marry a poor but noble girl in 1790s, or wait until Vorontsov’s niece became a wealthy heiress what actually happened in a decade.
Added: Oct 20, 2017
Added: Nov 21, 2012
Ивлева Е. А. В кн.: Французский язык: теория и практика. Сборник статей. М.: Спутник+, 2011. С. 126-130.
Added: Jun 20, 2012