Расскажите вашим детям: Сто двадцать три опыта о культовом кинематографе. 3-е изд.
The book comprises two unequal parts. In the first part — a theoretical and methodological introduction — the author offers his view on how it is possible to reflect on cult cinema today. In the second part the factual material is presented — one hundred and twenty three essays on cult films given in chronological order so that the reader could get an idea about the evolution of the phenomenon.
The book is intended not only for specialists in cultural and social studies but also for all who enjoy cinema and especially those who appreciate non-standard cinema.
The article considers four approaches to the interpretation of images and mythologems from the sphere of Western esotericism in mass culture. The first approach is based on the depth psychology of C. G. Jung and aims to identify archetypes common to the whole culture. The second is based on the reductionist theories of Marx and Freud, its main task is to reduce religious imagery to social and psychological realities. The third approach is represented by C. Partridge theory of occulture, in which the emphasis is made on tracing the historical genesis of esoteric imagery in modern culture. The fourth approach is expressed in the writings of J. Kripal, it synthesizes the historicism of the theory of occulture with the understanding of mass culture as a way of self-knowledge, revealing the deep spiritual essence of man
The article is devoted to the problem of or- ganization of a productive dialogue between represent- atives of different sciences during the comprehensive interdisciplinary research of man in the context of tra- ditional culture. The prerequisites to the given prob- lem statement have been formed during a long-term experience of joint field studies made by the authors in Russia (Adygea, Russian North, Bashkiria, Buryat- ia, Kabardino-Balkaria, North Ossetia, Khakassia, Ya- kutia and other regions) and Mexico, as well as through the analysis of relevant results of academic and re- search work. As a solution of the given task, the authors develop the methodological construction “metaposi- tion” that allows to approach to complexity and inter- disciplinarity of research through the principle of dia- logue in the common sociocultural field. Metaposition as a technology of organization of polyprofessional co- operation of different experts in a common research space is aimed at development of scientists’ skills of fix- ation, systematization and representation of the re- sults of their work taking into account positions of their colleagues from other subject areas. Realization of this technology leads to creation of a metalanguage and to widening of researcher’s scientific culture (theoreti- cal frames of each expert, style of their scientific reason- ing and personal qualities). The development of meta- position as a stable system of cooperation between different positions of researchers suggests three inter- related stages: defining the research’s common field; re- vealing the borders of scientific positions; constructing the interpositional dialogue. Opportunities of applica- tion of the methodological construction “metaposition” at different stages of field research (before the field, at the field, after the field, during analysis of the field data) are concretized through a relevant algorithm and sup- ported by examples from the field practice.
This article examines the role of archivists in shaping the capacity and the structure of a university’s memory. Drawing on sources such as laws and ministerial instructions, the authors analyze the government’s archive policy with regard to universities and how professors and archivists were taking part in its implementation. Their participation included sorting documents and attributing them to individual ‘cases’, destroying some of the ‘unnecessary’ documents and preserving others that were designated for destruction. Based on information from service records and university reports, the article tracks changes in the corporate status of university archivists in nineteenth-century Russia.
The article considers the Views of L. N. Tolstoy not only as a representative, but also as a accomplisher of the Enlightenment. A comparison of his philosophy with the ideas of Spinoza and Diderot made it possible to clarify some aspects of the transition to the unique Tolstoy’s religious and philosophical doctrine. The comparison of General and specific features of the three philosophers was subjected to a special analysis. Special attention is paid to the way of thinking, the relation to science and the specifics of the worldview by Tolstoy and Diderot. An important aspect is researched the contradiction between the way of thinking and the way of life of the three philosophers.
Tolstoy's transition from rational perception of life to its religious and existential bases is shown. Tolstoy gradually moves away from the idea of a natural man to the idea of a man, who living the commandments of Christ. Starting from the educational worldview, Tolstoy ended by creation of religious and philosophical doctrine, which were relevant for the 20th century.
The article is concerned with the notions of technology in essays of Ernst and Friedrich Georg Jünger. The special problem of the connection between technology and freedom is discussed in the broader context of the criticism of culture and technocracy discussion in the German intellectual history of the first half of the 20th century.