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July 24, 2026
'Physics Is What the World Is Literally Built On'
Physicist Nina Dzhanayeva, recipient of a Vladimir Potanin Foundation scholarship, focuses her research on nanophotonics. In this interview for the HSE Young Scientists project, she discusses nanowells, scientific intuition, and how physics can help in making frangipane cream puffs.
July 20, 2026
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‘Science Is Universal-It Knows No Borders
Fuad Aleskerov, Tenured Professor and Director of the International Centre of Decision Choice and Analysis at HSE University, together with his colleagues, has developed methods of network analysis in bibliometrics that have made it possible to identify patterns in the appearance and citation of publications in academic journals, as well as their influence on each other. When one or a number of studies are frequently cited by a wide range of journals, this is an indicator that the research is of high quality. By contrast, extensive cross-citation within a limited group of journals increases the likelihood of identifying a network of predatory publications.

 

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"Художественное исследование": подходы к определению, критика и специфика в российском контексте

Международный журнал исследований культуры. 2023. № 2 (51). С. 99–114.
Конончук В. В.

The article provides a definition for "artistic research", distinguishing it from "art-based research" and science art. By tracing the development of the criteria by which artistic research differs from other types of research and from non-research art, the close intertwining of ontology, epistemology and methodology comes to the fore, whereby an artistic object or process acts as an "epistemic thing": both the means and the end of the inquiry.

At the same time, the article provides a broad overview of criticism from politico-economic and infrastructural positions that prevent an idealistic understanding of artistic research as emancipatory in its inter- and transdisciplinarity. Viewing artistic research as a by-product of a knowledge economy that has also affected art, theorists question its critical power and point to its predictability and conformism.

At the same time, such criticism, even from Russian authors, has little sensitivity to the local context where artistic research has not become part of the academic milieu or even a dominant form of artistic expression. On the other hand, the very emergence of artistic research in Russia in the absence of academic programs was indicative of a palpable shift in the institutional system, as well as of art community rethinking its goals. This was reflected in the themes and working methods of the younger generation of artists of the 2010s.

Research target: Art History Philosophy, Ethics, and Religious Studies Other Humanities
Language: Russian
Full text
DOI
Keywords: современное искусствоartistic researchхудожественное исследование contemporary art knowledge economyepistemology of artart and knowledgeart of the 2010sэпистемология искусстваискусство и знаниеэкономика знанияискусство 2010-х
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