The logic of forbidden colours
The purpose of this paper is twofold: (1) to clarify Ludwig Wittgenstein’s thesis that colours possess logical structures, focusing on his ‘puzzle proposition’ that “there can be a bluish green but not a reddish green”, (2) to compare model-theoretical and game-theoretical approaches to the colour exclusion problem. What is gained, then, is a new game-theoretical framework for the logic of ‘forbidden’ (e.g., reddish green and bluish yellow) colours. My larger aim is to discuss phenomenological principles of the demarcation of the bounds of logic as formal ontology of abstract objects.
In the article the author seeks to demonstrate the place of specific beings (like God) in possible worlds semantics. The general idea is an idea of multilevel ontology for possible worlds. It is effective to presuppose a special level for such being, for instance, in case the construction of the proof of the necessary existence.
The aim of this paper is to systematize the variety of logical hylomorphism from the perspective of the dichotomy of substantial and dynamic formality. The demarcation principles for the bounds of logic as formal ontology and formal deontology are discussed. A brief review of the historical relation between different models of substantial and dynamic formality and of the opposition between formal ontology and formal deontology is given. A design-perspective on the normativity of logic is arguing for.
This paper sketches two approaches to the color exclusion problem provided by model-theoretical and game-theoretical semantics. The case study, modeling the experimentally confirmed perception of “forbidden” (e.g., reddish green and bluish yellow) colors, is presented as neuropsychological evidence for game-theoretical semantics.
The article considers the Views of L. N. Tolstoy not only as a representative, but also as a accomplisher of the Enlightenment. A comparison of his philosophy with the ideas of Spinoza and Diderot made it possible to clarify some aspects of the transition to the unique Tolstoy’s religious and philosophical doctrine. The comparison of General and specific features of the three philosophers was subjected to a special analysis. Special attention is paid to the way of thinking, the relation to science and the specifics of the worldview by Tolstoy and Diderot. An important aspect is researched the contradiction between the way of thinking and the way of life of the three philosophers.
Tolstoy's transition from rational perception of life to its religious and existential bases is shown. Tolstoy gradually moves away from the idea of a natural man to the idea of a man, who living the commandments of Christ. Starting from the educational worldview, Tolstoy ended by creation of religious and philosophical doctrine, which were relevant for the 20th century.
This important new book offers the first full-length interpretation of the thought of Martin Heidegger with respect to irony. In a radical reading of Heidegger's major works (from Being and Time through the ‘Rector's Address' and the ‘Letter on Humanism' to ‘The Origin of the Work of Art' and the Spiegel interview), Andrew Haas does not claim that Heidegger is simply being ironic. Rather he argues that Heidegger's writings make such an interpretation possible - perhaps even necessary.
Heidegger begins Being and Time with a quote from Plato, a thinker famous for his insistence upon Socratic irony. The Irony of Heidegger takes seriously the apparently curious decision to introduce the threat of irony even as philosophy begins in earnest to raise the question of the meaning of being. Through a detailed and thorough reading of Heidegger's major texts and the fundamental questions they raise, Haas reveals that one of the most important philosophers of the 20th century can be read with as much irony as earnestness. The Irony of Heidegger attempts to show that the essence of this irony lies in uncertainty, and that the entire project of onto-heno-chrono-phenomenology, therefore needs to be called into question.
The article is concerned with the notions of technology in essays of Ernst and Friedrich Georg Jünger. The special problem of the connection between technology and freedom is discussed in the broader context of the criticism of culture and technocracy discussion in the German intellectual history of the first half of the 20th century.