The paper presents corpus-driven semantic analysis of Russian classic elegy introduced in poetic heritage of V. Zhukovsky, E. Baratynsky, and A. Pushkin. Contemporaries criticized classic elegy for eulogizing sadness and disappointment, and even claimed sorrow as a genre feature. This study addresses correlations between common impression of sorrow and actual emotional nominations in lyric of three Russian masters of the classy elegy. Сontrary to all expectations, the most diverse emotional nominations denote joy and happiness, whereas lexemes referring to sorrow and anxiety are less frequent. The analysis also reveals stylistic distinctions between the poets. While emotional nominations of Pushkin's and Zhukovsky's elegies mostly councide, the Baratynsky's elegies demonstrate narrow spectrum of feelings and mostly concentrate around love rather than philosophical meditation and emotional distress.
This article is dedicated to the analysis of one of the 20th century canonical poetic texts – “Elegy” by A.I. Vvedensky, a member of the OBERIU group. The authors investigate the scope of understanding in the text of extreme semantic complexity and ambiguity of both its plot and emotional modality. A detailed review of potential pretexts leads to the discourse on the significance of literary associations and their part in understanding of the poem.
Studying of color palette in watercolor painting is being reported in the following article. To create an expressive image, out of the real world colors the artist chooses those that match his thoughts, feelings and artistic solution of a painting. Examples of tasks are being offered which help with the studying of color palette and auspiciously influence development of creative abilities, creative thinking of students, pupils and scholars.
The ultimate goal of this study is to demonstrate the legitimacy of “Nekrasov’s byronism” as a research topic. For this purpose we are trying to prove that Byron’s poetry influenced the poetry of Nekrasov. In particular, Byron’s poems partially formed the structure of the Nekrasov’s poem “Who is Happy in Russia” (1863–1876). Byron’s poems are inclined to dramatic composition, separate scenes and include songs. “Komu na Rusi zhit’ khorosho” also tends to drama, consists of a chain of scenes, monologues, dialogues and contains inserts in the form of songs. Poet Grisha Dobrosklonov, one of the main Nekrasov’s poem characters, corresponds to Byronic romantic hero. Byron’s influence on the poetry of Nekrasov is confirmed by the fact that among his first books Nekrasov called the tragedy of Valerian Olin “The Corsaire”, the translation of the Byron’s poem. The ballet “The Corsaire” made after the poem by Lord Byron, twice delivered in St. Petersburg at the turn of the 1850s and 1860s, as well as increasing public interest in the figure of British classics could also revived Nekrasov’s long-standing impressions at that time.
Despite all the advantages brought by service-oriented architecture (SOA), experts argue that SOA introduces more complexity into information systems rather than resolving it. The problem of service integration challenges modern companies taking the risk of implementing SOA. One of important aspects of this problem relates to dynamic service composition, which has to take into account many types of information and restrictions existing in each enterprise. Moreover, all the changes in business logic should also be promptly reflected. This chapter proposes the approach to solution of the stated problem based on such concepts as model-driven architecture (MDA), ontology modelling and logical analysis. The approach consists of several steps of modelling and finite scope logical analysis for automated translation of business processes into the sequence of service invocations. Formal language of relational logic is proposed as a key element of the proposed approach which is responsible for logical analysis and service workflow generation. We present a logical theory to automatically specialize generic orchestration templates which are close to semantic specification of abstract services in OWL-S. The developed logical theory is described formally in terms of Relational Logic. Our approach is implemented and tested using MIT Alloy Analyzer software.
Plein-air in additional education studio organization is being discussed in the article. As a part of estetic students' education, open-air represents drawing and painting outside in open-air. Purpose of open-air working is to fasten and broaden knowledge and experience received during academic year, to develop abilities of its creative application in open space natural illumination conditions. Different activities are being described: drawing (doodle, sketch, long-tirmed drawing) and painting (short-termed and long-termed etude).
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.