Музыка стиха. Звук и смысл в поэзии Цветаевой
The article focusses on the matters of music and musicality and the means used by poets to create it. The ways of creating the music effects in verse are identified and described. The peculiriar functioning of sound and sence in poetry is illustrated with the close analysis of Marina Tsvetaeva's poem "I have opened my veins..."
F. Werfel about G. Verdi (based on the composition «Verdi. Novel of the opera») (by Zusman V. G., Zusman N. D.). In this paper the cultural opposition «Verdi - Wagner» is discussed. The opposition is described by the Austrian writer Franz Werfel in his «Verdi. Novel of the opera». Werfel compares the artistic world and the personality of the Italian composer Giuseppe Verdi with the German composer Richard Wagner. The author comes to conclusion, that the principle of melody, the power of an individual human voice expressed in the music of Verdi are much more important than the combined force of the instruments in the orchestra of Wagner.
In this article one can find a treatment of early Wittgenstein’s conception of sense of the world in “Tractatus Logico-Philosophicus”. What makes a physical fact to be a murder or a prayer? Wittgenstein considered that facts had no relations with sense, in other words, with Ethics. Facts are accidental. Only their logical structure is necessary. The sphere of necessity, or not accident, is the sphere of Aesthetics. It contains logic and Ethics as vision of the world from the point of view of what one ought to do. Aesthetics is located outside the world and cannot be expressed.
Key concepts of a national cultural world are understood as key words. They are focused on different traits of a national character. National forms of languages and mentality are illustrated by examples from Russian, French, Austrian and German literatures and cultures.
The paper is dedicated to the one of the most essential elements of statement sense – the triune emotive sense. The author characterizes the components of this triad – the estimated, emotional, relational senses, determines a circle of language means – operators of their generation (emotionally-estimated lexis, interjections, appeals, specific syntactic structures, emphatic word order).
sense, emotive, emotions, estimation, relational, generation of sense/
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.