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“To Create a Person When You Aren’t One Yet …”: Notes on Russian Poetry in the 2000s
Russian Studies in Literature. 2018. Vol. 54. No. 1-3. P. 58–83.
Kukulin I.
The article focuses on the changes in poetic self-presentation in the 2000s, examining their roots in the poetry of the 1990s. Numerous poets are examined, along with examples of their verse and statements from various literary theorists, to illustrate the entry of splits or fractures into the poetic speaking subject. Poets cited include Tat’iana Moseeva, Nika Skandiaka, Igor’ Bulatovskii, Andrei Poliakov, Vasilii Borodin, Pavel Gol’din, Andrei Sen-Sen’kov, Boris Khersonskii, Sergei Kruglov, Nikita Ivanov, Fedor Svarovskii, Kirill Medvedev, and Elena Fanailova,
Priority areas:
humanitarian
Language:
English
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Design/methodology/approach – The study analyzes data from ...
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Pavlovets M., Логос 2026 Т. 36 № 3 С. 41–68
The poem Dyr bul shchyl…, unlike the two other adjacent poems in Aleksei Kruchenykh’s book Pomada (Lipstick) (1913), whose words “have no definite meaning,” became one of the most famous poetic texts of the Russian avant-garde. Around it, two main interpretative traditions have emerged: the semantic one, which views Dyr bul shchyl… as an enigmatic ...
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Journal of Pragmatics 2026 Vol. 262 P. 60–80
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Pakhomova A., Русская литература 2026 № 3 С. 150–164
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