Автор, герой и другой в ранеей лирике Маяковского
The paper analyzes the process of creation of a lyrical hero of Mayakovsky, it establishes the dramatism of the self-determination of Я in the situation of the disintegration of the genre system of poetry. It is demonstrated that in the world devoid of traditional genre coordinates the possibility of expressing it is problematized. A special kind of a relationship between the author and the hero consists of the fact that the hero “reigns over” the author claiming the right to “complete” himself. This is possible only through the acceptance of the Other as the highest instance. The search for the Other inside the world of art becomes the most important task of Mayakovsky’s poetry.
The article concerns the novels by Norman Mailer written in 1980-2000. It considers the main themes and problems of the works studied. Social and cultural context of the books is distinguished as one of the most significant in Mailer's controversial poetics. The writer intended both to follow and to transform traditions of literature of realism and postmodernism.
«Attainment of oneself» has not been systematically examined in psychology. Since that, the paper is aimed to reveal the importance of studying it in actual sociocultural context and the humanities. The «attainment of oneself» is considered as holistic, mediated by reflection “I” abilities realization in the field of leading life relationships. «New pesronology» is research area, and pesonological hermeneutics is used as a method. The reflexive model of “I” abilities towards the Other is presented. It’s application for analyzing the process of attainment of oneself in love relationships is demonstrated.
Article focuses on a psychological conceptualization of travelling. Author reveals essential features of the phenomenon and describes specific types of travelling according to interaction between three «worlds»: travelling world, habitual world and inner world of personality.
Christianity is a missionary religion by definition. Yet, as Christianity became imperial ideology, the attitude towards "barbarians" began to change: the classical Greco-Roman perception of "other" as non-human finds its way into the concept of Christianization. The author tries to outline methods of Byzantine mission, which Byzantines themselves never theoretize upon. Orthodox Christianity lost to its spiritual rivals the Nilr valley, the Middle East, Moravia, Croatia, Abkhazia, Hungary, Lithuania, Khazaria. This book explains why.
The book examines the electronic hypertext structure in the aspect of the theory of speech genres. Electronic hypertext is presented as a set of functionally integral unit, within which the text line to enter different types of relationships. The book analyzes the linguistic realization of links in the network blog community "Vladivostok", according to this description is made of a particular genre of computer-mediated communication. The book is addressed to specialists in the field of linguistics dealing with the problems of text linguistics, discourse, and computer-mediated communication. It will be interesting for students and graduate students of philological faculties, as well as a wide range of readers interested in the creation of the user interface, hypertext structures of various genres.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.