‘I shall show you the right path’: Samuil Lur’e and the first Russian film journal, Sine-Fono
This article is dedicated to the first Russian film journal, Sine-Fono, which was published from 1907 to 1918. Sine-Fono was a leading periodical for more than ten years and it played a crucial role in the pre-Revolutionary cinematic process. The journal Sine-Fono is interesting not only as a key fact of the history of early Russian cinema, but also as an extremely important source for its study: since the overwhelming majority of pre-Revolutionary Russian films have not been preserved, historians must judge this period in Russian film history primarily by means of the film press. The article also describes the fate, both before and after the Revolution, of the founder and constant editor of the journal, Samuil Lur’e.
By depicting the Nevsky prosprect cinema palaces the article explores early history of the Russian movie theatres. At the beginning of the century film production and cinemas were connected tightly and lived a single life. Thus it is argued that the study of early cinemas is not only study of local lore, but first of all of the history of cinema.
The paper is focuses on Andrey Platonov's screenplays and on screen versions of his prose. Platonov wrote both for silent cinema and for talkies. The thesis statement of the manuscript is that silent cinema aesthetics is closer to Platonov's sophisticated style. The most successful screenversions are strongly connected with it.
During the 14th and 15th October 2017, a conference organized by Ben Eklof (Indiana University), Igor Fedyukin (Higher School of Economics (Moscow), Tatiana Saburova (Higher School of Economics, Indiana University), Elena Vishlenkova (Higher School of Economics, Moscow) has been held at the Indiana University Europe Gateway at CIEE Global Institute (Berlin) with the aim to discuss new narratives about the history of Russian education, aroused by James C. Scott’s books, Seeking like a State. How Certain Schemes to Improve the Human Condition Have Failed (1998), in particular on the basis of the concept of “high modernism” in its effort to redesign society and of the role of knowledge in the context of social and economic changes.
Within a brief historical period, BRICS as an inter-State association has become an influential player in the world economy and politics. BRICS is a primarily political entity, and in that regard, the BRICS grouping correlates with the Shanghai Cooperation Organization (SCO). However, not all the expectations placed on the SCO by the founding countries at the time of its creation in 2001 have been met so far. The question is to what extent expectations may be fulfilled in case of BRICS.
The article identifies the effect of personalization of politics: its definition is given, the determinants and possible consequences are considered. That effect is illustrated by some features in the Asian and European style of modern political leadership.