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August 25, 2026
Scientists Develop Algorithm for More Reliable Processors in Data Centres
Researchers from HSE MIEM and Samara University have developed the LRF-3D algorithm to automatically bypass idle nodes in three-dimensional networks-on-chip. Thanks to its hierarchical architecture, the algorithm outperforms existing solutions in both speed and path accuracy, improving processor reliability for use in data centres, supercomputers, and AI computing. The source code and test results are publicly available.
August 24, 2026
Researchers Develop Method for Direct Generation of Regulatory DNA
Researchers at HSE University have developed a model for generating promoters and enhancers—DNA sequences that regulate gene activity. The model works directly with DNA nucleotides, without first transforming them into a continuous numerical representation. This solution could be useful for applications in synthetic biology and gene therapy. The study results were presented at the ICLR 2026 Workshop ‘Generative AI in Genomics (Gen^2): Barriers and Frontiers.’
August 21, 2026
Social Integration: At the Crossroads of Knowledge and Values
The International Laboratory for Social Integration Research (ILSIR) at HSE University studies the challenges faced by vulnerable groups and explores ways to help them participate fully in everyday life. To develop effective solutions, the laboratory’s researchers combine cutting-edge methods with practical fieldwork. In this interview with the HSE News Service, Laboratory Head Elena Iarskaia-Smirnova discusses the laboratory’s work.

 

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Отражение войны: культурная травма в постюгославском кинематографе

Международный журнал исследований культуры. 2018. № 1. С. 220–230.
Isayev Y., Комогорова М. К.

This article is an attempt to describe international cinema discourse that has developed over the last decades around the events of the break-up of Yugoslavia through the notion of “cultural trauma”.

In the first part of the article theoretical foundation of cultural trauma and some of its related terms (collective memory) are considered. On the basis of theoretical overview, in the second part of the article we build an analysis of the five post-Yugoslavian films, created in the period of the break-up of Yugoslavia and after it. The analysis of these screen-culture works is intended to give an idea about the international discourse, built around the break-up of Yugoslavia, and the role of the Yugoslavian cinematograph in its formation. Moreover, the article tracks the dynamics in the change of film narrations and portrayal from the earlier to the most modern ones.

Research target: Media and Communications Art History
Priority areas: humanitarian
Language: Russian
Full text
Text on another site
Keywords: войнанациональная идентичностьcinemaкинематографwarнасилиеcultural traumaкультурная травмаviolenceкультурная памятьcultural memorynational identity
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