Имена времени: эпитеты десятилетий в Национальном корпусе русского языка как проекция культурной памяти
The paper studies constructions that involve the name of the decade - the twenties, the thirties, the forties etc. – and an adjective in attributive function. The basic assumption is that these constructions reflect the mnemonic pattern of each of the decade from the Soviet and PostSoviet history, the analysis of the constructions therefore is a clue to define these patterns. The data of the research has been obtained from the Russian National Corpus. Six semantic adjectival classes has been designated, each of the setting its own projection of the mnemonic pattern of the decade in the language. Comparison of the collocations of different adjectives and decade names shows the eminent time periods of the 20thcentury, that exist in the cultural memory, and extracts associative traits connected with the decades. As a result, the research shows the difference in reception of the decades and therefore determines the memory landscape of the Soviet and PostSoviet history.
The paper discusses sociolinguistic implementations of statistical analysis of the spoken subcorpus of the Russian National Corpus. Given the considerable size of the corpus (about 10 mln tokens), an analysis of co-variation of various linguistic parameters with one of the few sociolinguistic parameters available – the speaker’s gender – may give rich and interesting results. One specific example of co-variation is considered in detail: the mean length of the utterance (in tokens). Comparing this parameter in public communication shows statistically significant difference between the speech of men and women (men talk more), while the same difference is absent in private communication. Another important parameter is the gender of the addressee. Again, co-variation is quite different in public and private discourse. In private communication, the utterances are longer when addressing someone of the same sex, the difference between men and women is not statistically significant. In public communication, the utterances are longer when addressing a woman, whether the speaker herself is a man or woman. These conclusions are consistent with the results of sociolinguistic gender studies obtained elsewhere and by other methods. Linguistic difference between men and women are not absolute but depend on the communicative situation (public vs. private). Public discourse is a playground for linguistic competition in which men are the winning party. In private discourse, competition dissolves.
The starting point of the study is the hypothesis of a discursive proximity of Church Slavonic and Christian religious discourse of the modern Russian language. Analysing lexical structure with quantitative corpus methods we show that the latter is closer to Church Slavonic than the mainstream modern Russian language. This can serve as a proof of the specificity of the register in question, an additional argument when deciding on its separate status. Research is based on the material of the Russian National Corpus, namely, the Church-Slavonic corpus, the Main corpus and the Subcorpus of church-and-theologу texts. Using the log-likelihood criterion and PCA visualizations, we reveal the body of lexemes in Russian texts that can be considered Slavonicisms (tserkovnoslavyanizmy) and show that the "distance" between the corpora can be measured differently if one takes into account adjectives, nouns and verbs separately.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.