The Slavonic Bible was translated from Greek revealing textual correlations to the Septuagint. However in the majority of East Slavic manuscripts one can also observe indubitable Hebrew influences: there are numerous Hebraisms missing in the Septuagint while manifesting direct Slavic- Jewish contacts; they are introduced to correct the traditional Slavonic translation of the biblical text. These Hebraisms are based on the collation of the Slavonic Bible both with the Hebrew Torah and with the Aramaic Targums. The treatment of the Divine names (preserved in the Targums in their original, Hebrew form) allows us to demonstrate that borrowings from the Torah could be translated in the Slavonic Bible, whereas borrowings from Targums were reproduced in the Slavonic text in the original (Hebrew) form. The revision of the Slavonic Bible had several stages and was a long process. The author attempts to define a chronological stratification of different data related to this process.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.