Лексико-семантическое поле «песня» в ранних эпиникиях Пиндара
The present paper inquires into classification of the lexical items which belong to the semantic field “Song” in the early Pindar’s lyric. It is based on the principle of the New explanatory thesaurus of Russian language. The present paper inquires into classification of the lexical items belonging to the semantic field “Song” of the early Pindar’s lyric. Our analysis is based on the principle of the New explanatory thesaurus of Russian language. It is possible to draw the following conclusions on the prorieties of this field: 1) it has the developed paradigmatic relations: derivation, synonymy, meronymy, conversion, antonyms; 2) this field has no clearly pronounced dominant, this role equally claim token ἀοιδά and ὕμνος, although the first has a more neutral area of use and a wider range of derivation. However, with such scanty material it is premature to make more definitive conclusions; 3) the vocabulary of sound prevail over a dance- vocabulary; 4) there is a tendency to metonymic transitions from sound to word, filled with semantic content; 5) this field includes vocabulary of different styles; 6) general and abstract concepts are expressed through myth or a metaphor.