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Статья

自分の詩(うた)に立ち塞がった男 ― 亀井文夫の戦後作品『生きていてよかった』

neoneoドキュメンタリーマガジン. 2015. No. 5. P. 119-125.

By conducting a close textual analysis of a postwar documentary classic Still It’s Good to Live (Ikiteiteyokatta,1956) depicting the victims of atomic bombings of Hiroshima and Nagasaki this paper sheds light to the ideological beliefs and cinematic style of a prominent Japanese documentary filmmaker Kamei Fumio, mostly known for his politically subversive films created during the WWII.