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Стихотворения О. Охапкина и И. Бродского конца 1960-х: поэтика перекличек
The article is devoted to the problemof intertextual interactions. The research material—poems written byOkhapkin and Brodsky in the late 1960s. The end of the 1960s—beginning of the 1970s was a period of friendship between the two poets, when the younger author was strongly influenced by his «mentor». The fourth book of poems «Prayer for the Cup» (1970) Okhapkin dedicated to Brodsky, calling him in the dedication «a friend and a teacher». The book opens with a poem «To Joseph Brodsky», built on expanded analogues with clarifications and digressions, as well as with numerous enjambements. The basis of figurative language are metaphors in accordance with the English metaphysical poets of the late XVI — early XVII century with a deliberate convergence of objects and phenomena which in reality stand far apart. In the second half of the 1960s, dolniks with paired female rhymes appeared in Brodsky’s poetry, and it was at the end of the 1960s and the beginning of the 1970s that Okhapkin’s interest in these rhythmic forms emerged. The article explores semantic connections between poems at the level of the rhythm, the vocabulary, the phraseology, and motifs. From a theoretical point of view, it is not quite correct to speak of a «quotation» here. This is not so much the elements of someone else’s text included in the «own» text and enriching it with new meanings (which is the essence of intertextual analysis), but rather the process of assimilation of poetic memory, which is not programmed by the author, and driven by the mechanism of the verse itself.
