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Куда плыли «Марсельские матросы» в 1917 году?
The article analyzes the history of lesser-known literary union “The
Sailors of Marseilles” that existed in Petrograd in 1917. Mikhail Kuzmin was the
central figure and the most popular writer in this union. Other “sailors” were young
poets who wanted to reach out the audience and to get the opportunity for publication.
Until now, this union has not been studied in the context of Kuzmin’s oeuvre, literary
reputation and author’s strategies. Some conclusions have been made in the process
of our research. First of all, Kuzmin’s attitude to literary unions has been specified.
As we can see, he considered literary groups as a commonwealth of independent
authors exploiting shared writing technics. On the other hand, he did not approve
ideological unification within such unions. Denying hierarchy in literary groups,
Kuzmin strove to create a literary union on an equal footing. He emphasized the
individuality of each “sailor” to create to make it real, but in fact, this union was just
adopting Kuzmin’s techniques, i.e., it followed the authoritative model. It should be
mentioned, that the organization of the group was also the Kuzmin’s endeavour to
assert his literary reputation that was in decline during 1917. Moreover, the whole
concept of “The Sailors of Marseilles” was carried in accordance with the nautical
symbolics developed by Kuzmin in 1917. The sea was the sign of power and war, and
the sailors were the image of fraternity capable to contradict this power. “The Sailors
of Marseilles” in the final count can be considered as creative-life Kuzmin’s project.
Keywords: Mikhail Kuzmin, “The Sailors of Marseilles”, literary union, literary