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Антология Константина Кузьминского и Григория Ковалева У Голубой Лагуны как авторский жанр
The article, by comparing two different strategies of compiling poetic anthologies – the one used by Yuri Ivask and the other by Konstantin Kus’minsky, reviews the reasons why the first of the two criticized the “The Blue Lagoon” anthology. It also describes the rules that K. Kuz’minsky followed when he was compiling and composing his publication. In the end it’s concluded that in the case of “The Blue Lagoon” we see a “total project” of a neo-avant-gardist poet, who ventured to by himself summarize the 40 years of uncensored art (mostly poetry). That way he on one hand tried to inscribe himself in the succession line that stretched itself from “historical avant-garde”, repressed in the Soviet era in the first third of the XX century, and on the other hand he tried to put his own artwork and more importantly his diverse work in the field of cultural studies in the context of the underground.