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Let's Sharpen Our Optic Nerves
The interdisciplinary sub-field of social art history, which combines formal visual analysis with historical, social, and aesthetic research, offers a pathway forward toward this integration. Details about the sub-field’s history and debates over its practice can be found in the work of Vladimir Friche and Arnold Hauser—its founders, as well as in the writings of Herbert Read and T. J. Clark, two authors who contributed significantly to the sub-field’s expansion. However, since this essay aims not to provide a textual description of the state of the sub-field, but to show what social art history can reveal about visual images and what those revelations can add to our discipline, I will turn now to two pictures completed in 1934: Aleksandr Samokhvalov’s At the Rope Winch (from the series Female Metro Builders) and Solomon Nikritin’s The People’s Court.