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Образы Италии в пейзажных этюдах русских художников XIX века
С. 1–5.
Afanaseva I.
Language:
Russian
Абейсекера С. Х., Обсерватория культуры 2026 Т. 23 № 2 С. 176–188
This article explores the iconography and artis tic features of the monumental paintings of Sigiriya, a Sri Lankan architectural and landscape monument, mean ing “lion rock” in Sinhalese. On the fl at summit of a rock plateau, rising almost 200 meters above the surround ing plain in the very center of the island, in the ...
Added: June 12, 2026
Жуматина М.-С. Д., Философия. Журнал Высшей школы экономики 2025 Т. 9 № 3 С. 303–331
The article analyzes the painting of Paul Cézanne through the fundamental relationship seeing-seen (voyant-visible), set out in the phenomenological teaching of Maurice Merleau-Ponty and conceptualized by us as the “dialectic of the seeing-seen”. For Merleau-Ponty, Cézanne had a special status as a “painter of painting”: the phenomenology of visible of Merleau-Ponty and his interpretation of ...
Added: August 14, 2025
Pirari G., Философические письма. Русско-европейский диалог 2025 Т. 8 № 2 С. 47–63
When he was very young, Rilke left Prague and moved to Munich, where in 1897 he met Lou Andreas-Salomé, a Russian immigrant who helped the young poet discover the Russian cultural and spiritual heritage, igniting his passion for the great country to the east of Europe. In April 1899, Rilke embarked on his first trip ...
Added: July 14, 2025
Glebov O., Demenchuk P., Логос 2025 Т. 35 № 2 С. 257–276
The article is devoted to the study of S.A. Kuryokhin's hypothesis that the element of ‘madness’ is a characteristic feature of Russian culture. The study of this hypothesis is valuable because, firstly, the conceptualisation of the concept of ‘madness’ will make it possible to understand Kurekhin and his work, resulting in the formation of a ...
Added: March 14, 2025
Хосуева Е. Д., Kolesnik N. V., Хосуева С. Д., Семиотические исследования 2023 Т. 3 № 4 С. 90–99
В работе представлен анализ взаимодействия визуальных форм в живописи и кинематографе (на примере сопряжения живописи А. Дюрера и мирового кинематографа). Основой для аналитической части исследования послужили визуальные источники (фильмы Андрея Тарковского, Ингмара Бергмана, Ларса фон Триера, Фрэнсиса Форда Копполы, Ладо Кватании, художественные произведения Альбрехта Дюрера). В ходе проведенного исследования определено, как соотносятся живопись и кино, ...
Added: January 29, 2025
Nikiforova V., Искусствознание 2024 № 4 С. 244–265
The paper is a comprehensive study of the Solomenka workshops that operated under the patronage of Maria Fedorovna Yakunchikova from 1891 to 1917. The aim of the article is to rethink the significance of the initiative in the village of Solomenka in the context of Russian artistic culture of the late XIX - early XX ...
Added: December 18, 2024
Afanaseva I., В кн.: Большая российская энциклопедия: научно-образовательный портал (2024).: БРЭ, 2024.
Энциклопедическая статья посвящена российскому живописцу-передвижнику, графику, педагогу, мастеру жанровой живописи, академику, профессору, ректору Императорской Академии художеств Владимиру Егоровичу Маковскому (1846–1920). ...
Added: December 10, 2024
Afanaseva I., Sorokin P. S., М.: Издательский дом НИУ ВШЭ, 2024.
Одиннадцатый выпуск серии учебно-методических пособий «Подготовка профессионалов для нового образования» посвящен авторскому курсу «Актуальные тенденции и практики кураторства в сфере искусства для развития человеческого потенциала», предназначенному для обучающихся по модулю дисциплин по выбору «МагоЛего» НИУ ВШЭ. Авторы знакомят студентов с принципами и практикой управления выставочной деятельностью в контексте актуальных социокультурных трендов с точки зрения вклада ...
Added: December 8, 2024
Pyrkina D., Декоративное искусство и предметно-пространственная среда. Вестник РГХПУ 2023 Т. 1 № 3 С. 133–144
The article is devoted to evolution of painting in Russian art of the second half of the XX — beginning of the XXI century. The author defines the role of painterly practices in the complex of forms of ar tistic expression in contemporary art. The most important directions of artistic research in field of painting ...
Added: November 21, 2024
Podlednov D., Kazantseva E., Человек: образ и сущность. Гуманитарные аспекты 2024 № 2(58) С. 55–71
Metamodernism is a new chronotypological stage that has replaced postmodernism. Since the early 1990s researchers of culture and art have been discussing the need to go beyond the term “postmodernism”. Attempts to identify the dominant socio-cultural concept at the present stage have given rise to many original studies on the emergence of a “new sensibility” ...
Added: July 12, 2024
Afanaseva I., Вестник Томского государственного университета. Культурология и искусствоведение 2025 № 59 С. 119–134
The article considers the artworks by the Russian artist, active member of the Association of Travelling Art Exhibits Vladimir Makovsky in the context of theatrical discourse. The artist's works are examined in the following aspects: 1) theatrical image and its embodiment; 2) the correspondence of the content of the painting to the theatrical dramatic plots; 3) ...
Added: May 2, 2024
Nikiforova V., Вестник Академии русского балета им. А.Я. Вагановой 2024 № 1 С. 110–122
The article presents the analysis of Mikhail Vrubel’s ceramic sculptures which were inspired by Nikolai Rimsky-Korsakov’s operas The Snow Maiden and Sadko in 1899-1900s. The synthetic character of Vrubel’s artworks is studied, as well as the peculiarities of addressing literary subjects that received a new embodiment in the theater world. Attention is paid to the influence of home performances ...
Added: April 27, 2024
Nikiforova V., ADALYA 2023 Vol. 12 No. 12 P. 28–36
The article explores the field of cultural production in Russia in the last third of the 19th century. By virtue of the conceptual heritage of the French sociologist Pierre Bourdieu (forms of capital, the field of cultural production), the context in which the Abramtsevo circle (a colony of Russian artists) arose and developed was revealed. ...
Added: April 27, 2024
Afanaseva I., В кн.: История России глазами художников. К 800-летию со дня рождения Александра Невского.: Государственная Третьяковская галерея, 2021. С. 145–146.
Военный совет для решения вопроса об участии Москвы во время Отечественной войны 1812 года был созван М.И. Кутузовым в подмосковной деревне Фили. Он проходил в в избе крестьянина Михаила Фролова в обстановке секретности, без протокола, и точное количество участников неизвестно.
Барклай де Толли призывал покинуть Москву. Возражавший ему Беннигсен настаивал на проведении нового сражения. Кутузов, учитывая тяжелые потери в Бородинской битве, поддержал ...
Added: August 2, 2023
Государственная Третьяковская галерея, 2021.
Каталог выставки «История России глазами художников. К 800-летию со дня рождения Александра Невского». ...
Added: August 2, 2023
Afanaseva I., Вестник Санкт-Петербургского университета. Серия 15. Искусствоведение 2023 Т. 13 № 2 С. 255–272
The article is devoted to the study of visual semantics in the artworks of the famous artist Vladimir Makovsky (1846–1920). This painter entered the history of Russian art as an outstanding master of “small genre”, the author of a short, fascinating story in painting. It is no coincidence that the contemporaries compared the characters in ...
Added: June 28, 2023
Afanaseva I., Художественная культура 2023 № 2 С. 156–187
The Peredvizhnik artist Vladimir Makovsky (1846–1920) went down in history of Russian art as a recognized master of “small genre”, the author of a short entertaining story in painting. This article for the first time analyses the parallels between the artworks of V. Makovsky and texts of Russian writers of the 19th century — N. ...
Added: June 21, 2023